Our Gay Wedding: The Musical

Lucy is a 95-year-old lady. In her apartment, photos turned yellow by the passing time tell the adolescence of a boy who at the time was called Luciano and who was going to live the most terrible period of his life. Lucy is the oldest transsexual woman in Italy. She is among the few survivors of Dachau's concentration camp. Lucy's story tells us the story of the 1900s. The events of her turbulent life become a metaphor for a humanity that does not give up and that treasures the most important gift in history, memory, as a unique and irreplaceable starting point.

Male stripping is booming in the UK. Every weekend in most major cities, women are paying to see men get naked. The Dreamboys is the biggest male stripping agency of them all and ex-stripper David Richards is in charge. He claims to know what women want, and is prepared to do whatever it takes to give it to them. David is on the search for some 'fresh meat' to join his London troupe and meets the men that come forward to auditions. Who are they, why are they doing it and what impact is it having on their lives? Like never before, this First Cut film lifts the lid on this exotic world of sex, fantasy and temptation and shines a light on the private lives of the men whose job it is to bare all. First Cut is the critically acclaimed, eclectic documentary strand that showcases distinctive new films by up and coming directors.

An intimate documentary about a trans woman's isolation and decision to leave her home country of Azerbaijan in pursuit of a safer life. Using the metaphor of a rabbit, that comes from her nickname "bunny," she presents her relationship with her family, country, music, and protest, intercut with home videos.

Forbidden: Undocumented and Queer in Rural America is an award-winning 2016 documentary about Moises Serrano, who grew up queer and undocumented in Yadkinville, North Carolina.

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.

A nephew sets out to uncover the truth behind his infamous great-uncle - Washington D.C.'s forgotten king of porn.

In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.

Paper Dolls follows the lives of transgender migrant workers from the Philippines who work as health care providers for elderly Orthodox Jewish men and perform as drag queens during their spare time. It also delves into the lives of societal outcasts who search for freedom and acceptance.

A varied history of gay people and Scotland.

Berets, badges, Black Lives Matter and social justice: the youth group for activist girls of colour.The Radical Monarchs is an alternative to the Scout movement for girls of colour in Oakland. Its members earn badges not for sewing or selling cookies, but for completing challenges on social justice including Black Lives Matter, 'radical beauty', being 'an LGBTQ ally' and the environment.

Camp Beaverton is the Home for Wayward Girls, the only queer, all women, trans-inclusive, sex positive theme camp set within Burning Man, an 8-day experimental art festival that encourages radical self expression found deep within the Nevada desert. The Beavers create a safe space to explore their boundaries while they build a community of friendship, trust, and lifelong relationships.

A documentary about a gay nightclub performer with an especially lurid "Spider-man" act. Oliver is a female impersonator who supports his family by performing in Manila's gay bars.

A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.

At the end of the seventies, Yan María Castro became one of the founders of the first group of lesbians in Mexico. In a context of discrimination and repression, she and her companions organize a political movement to gain their place in society.

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

A young teacher in Zurich in the 1950s falls in love with a transvestite star but is torn between his bourgeois existence and his commitment to homosexuality. He joins a gay organization that is eventually seen as the pioneer of gay emancipation in Europe.

Gender Me is a road movie about Mansour’s voyage into the world of Islam. It is a personal odyssey through a world of taboos, filled with contradictory images. He explores questions regarding faith and gender in Islam with a special focus on the unusual stories of Muslim gays. Mansour is a homosexual Iranian refugee who has been living in Oslo for the past 18 years where he works as a pharmacist. Now he wants to travel back to Istanbul, where he lived for two years before he was granted asylum in Norway.

IRVING PARK is the story of four gay men in their 60s who live together in Chicago, exploring an unconventional lifestyle of master/slave relationships. A family based on free choice and the consent to lose one’s personal freedom in favor of the desire of the Other.

Learn all the positions.

Fifty years after the Stonewall uprising, Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman travel to three diverse communities – Salt Lake City, San Francisco, and Tuscaloosa, Alabama – for an unflinching look at LGBTQ Pride, from the perspective of a younger generation for whom it still has personal urgency.