The Boy in Blue

Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.

Molly Boone's father has been sent to prison for twenty years for alleged complicity in the killing of a revenue officer, Uriah Hudson, whom she secretly suspects of having a hand in sending her father to prison, is her persistent suitor.

Mabel Mack's mother is deserted by her father and the mother dies. All that Mabel retains of her family history is a group photograph of her father, mother and herself, in a locket which she always wears.

The will of old Dr. Andrews left the bulk of his property to his niece, Mary, who was an orphan living in a distant mining town. The small balance of his wealth went to a married nephew, John, who had been practicing medicine with him and was now made the executor of his estate, but who felt that he should have been made the sole heir.

Oliver and Elizabeth wed. He is a famous lawyer, careless of his personal conduct, but has implicit faith in Elizabeth. She is a woman of strong mind, a magazine writer of repute, and believes he should guide himself by the same code that governs her. Two of their associates are profligates, Charles, an artist, and Catherine. Oliver trifles with Catherine and this so embitters Elizabeth, that she pretends to receive the attentions of Charles, although it is made clear that she has remained pure. Nevertheless, she purposely permits her husband to believe otherwise. He has considered her like Caesar's wife, but his faith is shattered. A child is born to her and the father doubts its parentage.

Hunter Ross deserts his wife and child and she is driven to the extremes of poverty, being obliged in sell pencils to keep the spark of life in herself and little one. Fearing the worst, she writes a note, saying, "I am the wife of Hunter Ross, and this is our child," pinning the note on the child's dress in the hope that someone will find and care for the little girl, in case anything should happen to herself.

Harry Brownley, son of a rich New Yorker, reads a newspaper account of U.S. Revenue officers' plan to raid an illicit distillery in the Tennessee mountains. The young fellow asks his father's permission to join the forces under Sheriff Jackson, of Pikesville, Tennessee. The father reluctantly consents and the son starts out to satisfy his adventurous nature.

Carleton Holt locates at one of the mountain inns. On one of his daily trips he hears a mountain maid singing in the woods. Jumping from his horse, he makes his way to where she is sitting to find her holding a bunch of arbutus in her hands. He is fascinated. It is mutual.

A mountaineer, who has been shot by a pursuing sheriff, is concealed by a mountain girl in her cabin. When the sheriff arrives, she gives him whiskey, while secretly removing the bullets from his gun.

Fred Hart, a young businessman, unknown to his wife, draws their savings from the bank with the purpose of buying a home as a birthday surprise for his wife. He finds a real estate agent who has just the kind of a home he is looking for. He has to visit the agent's home during the course of his business transactions, he becomes well acquainted with the agent's family. The real estate man, a camera fiend, suggests to Fred his taking a picture of him and his family. Fred is agreeable and the agent gives him a copy of the picture. Fred puts it in his pocket and returns home to his wife.

Far up in the mountains Mrs. Bailor's two sons, Tom and Harry, are engaged at their distilling, constantly in fear of being pursued by the revenue officers, and arrested as moonshiners.

Wending their way and locating in a land far from the contentions through which they passed a few weeks before, Eric and Chloe are located in a garden spot of primeval beauty, surrounded by all the imposing grandeur of nature. Chloe is pursued by the covetous desire of Haakon, a false friend, who strives by subtle charms to lure her from Eric, who in turn is tempted by Linda, her cunning and beauty, to desert Chloe and live with her.

A story of that famous adventurer, Haroun al Rashid, the Caliph of Bagdad.

Esmeralda Foster, an attractive girl, is very much impressed with Duncan Miller, a crafty country swain, who makes love to Esmeralda because of her father's wealth.

Lydia Borne picks up the only party dress she possesses and finds it full of wrinkles. A dance to which she is invited is to be held that evening. Time is precious, so hurriedly beating an iron, she is pressing the skirt and accidentally scorches it. Her dress is ruined. She goes to the attic, where she picks up an old daguerreotype of her grandmother in a very pretty, old-fashioned gown, which is exactly the same style of the present period.

Cyma Roget, a beautiful young woman, has fallen under the influence of the evil Hindu scientist Chandra Dak, who can cast her at will into a hypnotic state resembling death. Chandra Dak's power over Cyma wanes as his love for her grows, however, and one night she escapes and takes refuge in the atelier of three young and struggling Bohemian artists. During her stay at the atelier, she becomes an artist's model and forms an attachment to one of the artists, Paul Bridere, but soon Chandra Dak falls out of love with Cyma and sends her into a hypnotic coma.

One brother kills another over the love of a beautiful woman.

May and Annie work in a fashionable millinery store, where the buyer, struck by May's beauty, advances her to a position among the models. She gets a little money, but finds that she is obliged to wear better clothes, which she has a hard time getting.

Franklyn Starr, a talented and wealthy young musician, suffers a double misfortune in the sudden loss of his hearing and in the death of his Mother to whom he is deeply attached. He loses his generous, joyous nature and transforms into a gloomy and despondent misanthrope.

The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).