After his wife’s death, a man is interrogated by the State. Returning to a dystopic, totalitarian life, he weighs stifling his grief against leaving it all behind. A call leads an official to help him find his beloved.
Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.
A farewell that leads to the initial meeting of a cat named Miroo, who has lost his younger brother, Kimo, making him reflect on life.
A story about a dysfunctional father and son who are still coping with a loss, the other with a highly-stigmatized illness who are compelled to talk to one another to make ends meet and heal the wounds of their relationship.
An attorney is terrorized by the criminal he put away years ago when he was a cop.
Whispers fill the silence around her, each one a subtle accusation, a reminder of guilt and blame. As a grieving mother struggles to navigate the weight of loss, the whispers grow louder. Will they ever let her find peace?
A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.
Three generations of Youngseok’s family live together in a house. Even though his mentally ill grandmother’s time on this Earth is gradually running out, Youngseok is embarrassed by the way she behaves like a child in front of his friends despite her efforts to take care of him. The film displays the challenges of a family who live with a dementia patient, told from young Youngseok’s perspective. Dreamlike summer nights in the film evoke the innocence of childhood, and the gathering of dear friends and family.
Outra Partida
The rise and fall of late 80's hard rock / "hair band", Boy Elroy.
Based on true events, 'Alex: The Life of a Child' follows former 'Sports Illustrated' writer Frank Deford and his wife Carole when their happy, all-American family is rocked to the core when their baby daughter Alex is diagnosed with Cystic Fibrosis. While CF sufferers were almost certainly doomed to an early death in the Seventies, Alex grew into a child who showed remarkable courage and strength in face of her illness. Her loving family were quick to rally around her, determined to show the same bravery as the little girl as they supported and cherished her through life and struggled to move on after her death at the tragically young age of eight.
Mr. Park raises his children by repairing charcoal pits. Although ignorant and stubborn, Mr. Park has a good heart. He is displeased, however, with his eldest daughter, Yong-sun (Jo Mi-ryeong), because of her close relationship with Jae-cheon (Hwang hae), who is a scamp in his eyes. He is also unsatisfied with his second daughter, Myeong-sun (Eom Aeng-ran), for liking Ju-sik (Bang Su-il). Only his eldest son, Yong-beom (Kim Jin-gyu), is the apple of his eye, as he approves of his son's wife, Jeom-rye (Kim Hye-jeong). When Yong-beom is sent to a foreign branch office, Mr. Park is against it at first but approves of it, as he knows what it means for his son's future. Eventually, too, he begins to approve of his two daughters' relationships.
Adapting to her new home in Melbourne, Vietnam War immigrant Hanh (9 years old) mistakes the cunningness of her new “friends” as an act of kindness, forcing her to come to terms with the reality of human betrayal through the loving and tender guide of her family - especially her father, Quan.
Jamie, a 10-year-old country boy, who has grown up with his step brother Will, struggles with not only the impending divorce of their parents but the grief of the potential loss of the only sibling he has ever known.
A successful American family retreat to their summer home on the banks of Lake Erie to find meaning in life, illness, loss, and change this Christmas. With a successful career in the wine business, and two amazing children, what more can a family ask for. But this Christmas will change the Austin family forever with Suzie falling ill. With Andrew struggling over his wife's ill health and the children trying to find peace and solace on their own, only a miracle can help them through this Christmas.
In a north Indian village, a family reunites at their ancestral home to celebrate a new birth in the family. It’s a joyous, carefree occasion. Over the next two decades, through festivals and feasts, births and deaths, the film observes one house as it ages and falls to neglect.
Twenty years after walking out on his family and bride on his wedding day, Jacob Hansen returns to the family farm and must accept the changes that happened after his departure.
Oliver doesn’t have a family so he steals one.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.