The Goddesses of Food

Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime

RAISING RENEE is the story of a family's remarkable response to being broken apart and rearranged after nearly 50 years. The film explores deep themes of family, race, class and disability through the interplay of painting, cinema and everyday life. Produced and directed by Oscar nominees Jeanne Jordan and Steven Ascher, RAISING RENEE is the third part of a trilogy about resilient families that includes their acclaimed feature documentaries So Much So Fast and Sundance Grand Jury Prize winner Troublesome Creek. RAISING RENEE is about a unique group of women, the tenacity of family bonds and the power of art to transform experience into something beyond words.

The story of an American hero and the Cherokee Nation's first woman Principal Chief who humbly defied all odds to give a voice to the voiceless.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

At a time in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?

Barbara Wong interviews HK women (of all ages (even 4 year olds), all walks of life, all sexual preferences, singles, wives, mistresses, prostitutes) with an all women crew and gets some wild and frank responses. The documentary is bold, honest, funny and touching. Highly recommended to any man who wants to understand women better and any woman who wants a fun girls' night out.

An intimate journey into the twilight world of the devadasi, Hindus who are married to god in childhood and at puberty sold for sex. The girls of Karnataka, southern India who are forced to live in this ancient tradition despite it having been declared illegal for more than 60 years.

Mirazur, Argentine-born chef Mauro Colagreco's 3 Michelin starred restaurant on France's Mediterranean coast, was awarded Best Restaurant in the World on the eve of the pandemic. Not content to rest on their laurels, Colagreco and his diverse team soldiered on through the global tragedy of the lockdown, boldly reimagining the restaurant's concept and menu to reflect their dedication to biodynamic principles. Mirazur re-emerged with a new and enthusiastic approach: the Moon Menu.

The surprising coming of age story of four diverse women who have had their lives dramatically changed by their love of a boyband - Backstreet Boys, One Direction, Take That and The Beatles.

This film illustrates the struggles of Canadian prairies women to achieve a more just and humane society within the farm movement and at large. During the early 1900s, women on the prairies looked for ways to overcome their isolation. Out of the resulting farm women's organizations grew a group of women possessing remarkable intellectual abilities, social and cultural awareness, and advanced worldviews.

Étoilé.e.s

Ebony Goddess: Queen of Ilê Aiyê follows three women competing to be the carnival queen of Ilê Aiyê, a prominent and controversial Afro-Brazilian group with an all-black membership. The selection is based on Afro-centric notions of beauty, in counterpoint to prevailing standards of beauty in Brazil, a country famous for slim supermodels and plastic surgery. Contestants for the title of Ebony Goddess dress in flowing African-style garments, gracefully performing traditional Afro-Brazilian dances to songs praising the beauty of black women.

Almost 200 million women are "missing" in Asia - the result of targeted abortion of girls and dubious population policies. An investigative documentary about women who are not allowed to have daughters, about desperate attempts by men to find a wife somewhere, and about the abuse of women as pawns of politics and business.

A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.

A plea for the liberation of female sexuality in the 21st century. The film questions millennial patriarchal structures, as well as todays omnipresent porn culture. It accompanies five extraordinary women around the globe, reveals universal contexts and shows the successful fight of these courageous women for a self-determined female sexuality and an equal, passionate relationship between the sexes.

Fresh off the plane and in need of money, two Finnish backpackers find themselves the latest batch of “fresh meat” sent to work as barmaids at the only pub in a remote Australian mining town.

Danish culinary entrepreneur and Noma co-founder Claus Meyer has kickstarted a gastronomic revolution in Bolivia’s capital of La Paz with the opening of Gustu, a fine-dining restaurant and cooking school for the country’s impoverished youth. Kenzo, a hunter raised in the Bolivian Amazon, and Maria Claudia, a native of the Andean altiplano, have resettled in La Paz in order to pursue a career in the culinary arts. Under the tutelage of Meyer, these young Bolivians are working towards a better future as they attempt to establish their country as the world’s next great culinary destination.

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.