An Ordinary Story of Love

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A lonely lesbian plagued with thoughts of fruit whenever she attempts to masturbate begins to develop her own sexual prowess.  Everything changes when Mina meets confident Georgia in the fruit aisle of a supermarket. With this newfound lesbian companion, a quick prayer to her “Celesbian” icons, and a flurry of new feelings inside of her, Mina starts to clear the oranges, pomegranates, melons, and apples from her brain.

The 2017 OSCAR® nominated short films, live action: Midenki (Sing), Silent Nights, Timecode, Ennemis Interieurs (Enemies Within), La Femme et le TGV (The Woman and the TGV).

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Fragile in Love is an experimental short that rebels against the suppression of electronic music culture and gay house parties.

PROMISE ME ONE THING. DON'T LEAVE ME BEHIND. A story of 2 lonely strangers meeting up together on one lonely night in Bangkok.

A young artist is caught in between the world of fantasy and reality. There he finds a girl that he can't understand, explain, or identify.

Bogo, a self-deprecating stand-up comedian, struggles to find happiness in a life where his only value seems to be making other people laugh.

Art Hahn is just one actor numbed by the New York struggle. One day, an unusual proposition from his friend, John Kim, leads him to a remarkable role that jolts his system like never before.

Rory thinks there's a ghost haunting his shower and decides to investigate its origin. But when he goes to a party and meets a romantic interest, his spectral mystery begins to unravel.

A Japanese-Chinese couple hangs out and shoots each other.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.

After agonizing for weeks, Valéria finally comes to terms with being in love with another woman and confesses her love for her best friend, Laurence. Short film from the series "L'@mour est à réinventer: dix histoires d'amour au temps du SIDA" ("Love Reinvented: Ten Love Stories in the Age of AIDS").

One day, high school freshman Minzy finds a photo of herself changing clothes in the school locker room. Class leader Hyejin, who is not close to minzy, points out that the new teacher is the suspect to her. Minzy and Hyejin collect evidences to prove that the teacher takes pictures of high school girls secretly. When Minzy and Hyejin report the teacher's behavior to another teacher, Minzy realizes something unexpected.

A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.

Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.

Vincent has a secret that forces him to stay away from the people he loves. But when he meets Gustav, love strikes Vincent. As their love grows, so does his fear of letting his secret destroy his new lover.

A sumptuous short film of friendship and adoration between boys, based on a poem by Peter LeBerge. Moments of joy, bonding and roughhousing on a school trip to the beach counterpoint one teen boy’s introspective sexual awakenings and questionings. Magnificent cinematography and editing create a visual feast that provides the imagery for a narrated poem by Peter Laberge alluding to early homosexual desires, but with Catholic overtones never directly expressed.

March 2020. The roomates leave with their families and Artur is left on one's own thinking that this lockdown will only lasts fifteen days. In the apartment next door, Cèlia lives in a similar situation. In these difficult moments they begin to become close, but always keeping in mind that she has a partner.