Eve's Fall

During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

A baby dragon and a little bird fail to make beautiful music together.

Oksana (played by Sofia Rotaru) is a young and beautiful Carpathian girl. On the "Donetsk-Verkhovyna" train she becomes acquainted with a young miner from Donetsk called Boris. The travellers fall in love, but are parted when they arrive at their destination. In the Carpathian mountains their paths diverge, but Boris (played by Vasyl Zinkevych, soloist of the instrumental band "Smerichka") discovers where she is staying. The couple meet again and rekindle their love. Their friends invite them to perform in a concert for vacationers at a mountain resort, where they sing about their feelings for each other.

A bullied teenage girl leads a glee club on a trail of destruction against her high school enemies.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.

Apprivoisé

A short film exploring queerness, blackness and religion.

In 1986 Terri had a hit record. Still touring - same tune, same band - she longs for new material, but Paul her guitarist and boyfriend, can't see it. When teenage musician Jack can, she flees her gig on Canvey Island for a one night adventure, and finds her voice at last.

A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.

In this 100% fictional-plot short a fictional freshman, played by an actor named Don Tomkins), becomes smitten with and writes letters to a singer, Ruth Etting (Ruth Etting), on a fictional radio station. His fictional 1930s nerdy friends take her answering letters in return and torment him about no response. The fictional Ruth Etting (played by the real Ruth Etting) meets him and helps him turn the tables on his tormentors.

A young couple is struck with tragedy when Catalina suddenly dies of tuberculosis, leading a depressed Rosauro to commit a disturbing act. Based on the song by Julio Jaramillo.

A Super-8 short-film adaptation of S.E. Hinton's "The Outsiders" styled as a music video/silent-film -- director Juli Saragosa has a different take on greaser masculinity than did Francis Ford Coppola.

The Directorial Debut of Naomi Scott (Charlies Angels, Aladdin) and Husband Jordan Spence brings a quirky creative Music Film with striking visuals. This story explores the way in which 'forgetting' is not an easy task.

A running feud between Star Trek actors Brent Spiner and Levar Burton is the basis for this TV comedy pilot.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

A sheltered boy with a dream of starring on Broadway survives day-to-day life by imagining the world as a musical.

Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.