El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.
Felipe a wealthy businessman who has been quadriplegic, due to an accident, is looking for a therapeutic assistant. There are several highly qualified, but he decides to take the assistant of his gardener, Tito who has decided to resign.
A very coquette millionaire girl runs away before her engagement and is courted by a truck driver.
Santiago, a 20 year-old twink shaped by the anonymity of the virtual world, becomes frustrated with gay dating apps and starts obsessively looking for a real experience in the Buenos Aires nightlife.
A gambler discovers an old flame while in Argentina, but she's married to his new boss.
Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.
Between March 22 and 23, more than 130 thousand people will witness a new milestone for argentinian music: Maria Becerra will be the first female argentinian musician to play in River, stadium where the most significant international stars have played.
An all-girl band flees to Argentina to avoid their creditors. Comedy with songs.
Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.
Mario Santos, Pablo Lamponne, Emilio Ravenna and Gabriel Medina return.
La Cita Perfecta
The story—in which an American heiress on holiday in South America falls in love with an Argentine horse breeder against the wishes of their families—takes a backseat to the spectacular location shooting and parade of extravagant musical numbers, which include the larger-than-life Carmen Miranda singing the hit “South American Way” and a showstopping dance routine by the always amazing Nicholas Brothers.
Soy Buenos Aires
"CICLOS follows Ignacio Semeñuk, a 15 year old cyclist, as he faces the severeness of his training, his path to adulthood and his love life."
A gay couple from Hong Kong takes a trip to Argentina in search of a new beginning but instead begins drifting even further apart.
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
Juan, a young rural bandit, is in a relationship with a lady who is wanted by the aggressive town commissioner. He must solve his problems with the law, even if it costs him to lose love. Based on the story of Juan Bautista Vairoletto, 'The Argentinian Robin Hood'.
In a tiny rural village in Argentina, Rita Lopez, a pious yet insatiably competitive woman, discovers that staging a miracle could be her ticket to sainthood.
Crónica de un Secuestro