The story of the star crossed love between Manon Lescaut and Des Grieux.
Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”
Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
A filmed version of Tchaikovsky's opera. Onegin visits a friend, his fiancee and her sister Tatiana, who believes Onegin is her fated love. She writes a note telling him so, but he rejects her. Years later he returns, finding her married, but now he's smitten with her.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.
Since its premiere on 2 June 1937 in Zurich, Alban Berg's second opera "Lulu" has the reputation of being surrounded by scandals. On the one hand, this is due to the dubious character of the subject, the man-eating femme fatale, which Berg had taken from Frank Wedekind's two Lulu tragedies – "The Earth Spirit" and "Pandora's Box" – and combined into one opera libretto. On the other hand, Berg's widow had (for personal reasons) repeatedly refused to have the opera completed, which was unfinished when Berg died. This video is of the unfinished two-act torso of "Lulu."
In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.
To mark Beethoven's 250th birthday, the documentary sheds light on the composer's private side, linking his writings with his music in an original way. Beethoven's many letters and notes tell of his temperament, his love affairs, his humanism and his struggles, especially with the early onset of deafness.
The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.
Tosca, suspecting his lover is seeing anothe woman, turn him, painter Mario Cavaradossi, to Baron Scarpia.
This Wagner opera is rarely performed because of the scandals that engulfed the Magdeburg Theatre when it was performed in 1836 under the title The Novice of Palermo, and became known as a cursed opera from which the composer had to distance himself. Wagner's adaptation of the story reflects the rebellious mood of a Revolutionary Germany, vindicating sensual love and attack the fanatical repression of sexuality by a puritanical and hypocritical authority. As the prose says, "Shame to him whose cruel striking/Kills for faults of his own liking!". One of the most extraordinary musicals based on a text by Shakespeare, especially worthy of a new performance as it is four hundred years since the death of the Bard.
Shostakovich’s satirical opera adapted from the classic short story by Nikolai Gogol. Baritone Eduard Akimov leads the cast as Kovalyov, the hapless bureaucrat whose nose has mysteriously gone missing.
One of the greatest revolutions in the history of mankind happened around 3000 years ago: the transition from polytheism to monotheism through the prophet Moses. God revealed himself directly to Moses, instructing him in absolute truth. Moses was charged with leading the people of Israel to the Promised Land and escaping from Egyptian slavery. Moses came to embody the relationship between the human and divine truth. God’s call to Moses presented a new idea that exploded all previous religious concepts: ‘One God – unique, eternal, intangible, inconceivable’. Moses understands this concept, but is unable to express it, and therefore God appoints Moses’ brother Aaron as his spokesman. They are bound to fail: Aaron can only approach sharing the idea by compromising its meaning, whilst Moses is left to search fruitlessly for “the word I lack …” This production of Arnold Schoenbergs opera was filmed during the Ruhrtriennale 2009.
Valery Gergiev leads the Vienna Philharmonic Orchestra in this production of Puccini's opera, recorded live at the Salzburger Festspiele in 2002. David Pountney's production features performances by Gabriele Schnaut, Paata Burchuladze, Johan Botha and Cristina Gallardo-Domas. This production uses Luciano Berio's 2001 completion of this unfinished opera.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
As Tobias, a young director, supposes that his girl-friend Ellen had an affair with his brother Markus, front man of "Hansen", one year ago, he decides to shoot a documentary about the band's next tour. When Ellen joins the project, everybody's emotions boil over, although they are observed all the time.
Gaul has been conquered by the Romans. Oroveso, the Arch-Druid longs to lead a Gallic rebellion against the colonial forces. He and all the others wait for the signal to be given by his daughter, the Druid High Priestess Norma. But Norma has fallen in love with the Roman Proconsul, Pollione, and given birth to two children. They have been brought up in secrecy by her confidante Clotilde. Norma still loves Pollione but he has fallen in love with a novice priestess, Adalgisa.
The documentary draws a portrait of an opera director who is staging Richard Wagner’s Die Walküre. He is torn between the tragicomic routine of an opera house and his own perception of Wagner and the Ring cycle. The film witnesses the director’s drama in maintaining the fragile link between a well-constructed performance and his own vision that lies within the music and the narrative, and is seen as German expressionism-like nightmares.
Lyla and Louis, a singer and a musician, fall in love, but are soon compelled to separate. Lyla is forced to give up her newborn but unknown to her, he grows up to become a musical genius.