Patsy is the awkward sister of the lovely Grace. She is also in love with Grace's boyfriend. Mother shows favoritism towards Grace, and father is too accommodating to stand up for Patsy, although he knows she is picked on. When they are all at supper, Grace runs away on a motorboat with a millionaire playboy. During a deep talk with Grace's boyfriend, Patsy reveals that she is in love with somebody who doesn't know she exists.
This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.
A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.
Maškaráda
Luigiho srdce aneb Poprava tupým mečem
Lee McQueen, alone and troubled in his beautiful townhouse, is trying to come up with his new collection. He must pitch to his investors the next morning, but he’s got nothing: inspiration has deserted him. Dahlia, a mysterious young woman, breaks into his house. She wants to steal a dress but also to escape from her own troubled life. As McQueen is about to call the police something in her raw honesty, her boldness, intrigues him. He changes his mind, puts down the phone.
John is a legal assistant who is looking forward to marriage to his fiancee Sally, but his daydream is interrupted when a model plane crashes through his window. Following the plane is a family of six who invade his life and apartment.
Dvaasedmdesátka
A small-town store owner with a comatose wife shares a long-term relationship with his seamstress.
The Kostomarov family falls apart when a female relative joins the household.
"Vanity of vanities, everything is vanity" says the bible. The word flows from the tongue naming the pleasure of earthly life and judging it as beautiful, but shallow and useless; vanity is a deadly sin. A female sin. The man painted the woman, put a mirror in his hands and called it vanity. The woman in representation admires herself, but the one who really admires her body is the artist. Whose vanity? In VANITAS, we re-divide the woman in our bodies, showing the depth of what is palpable. If the Father's temple hides after death, clean and perfect, we reject them. We welcome Mother Nature in us, life-death in a perpetual sacred cycle, also honoring her dark face. You may wish to reach heaven, but it is on earth that your knees fall.
A dramatized account of a Victorian cause célèbre, written by John Osborne and concerning the true story of the last person in England to be tried for blasphemy. Richard Burton plays John George Holyoake, a social reformer who goes on trial for speaking in public about his atheist views. Rachel Roberts plays his wife, and the programme is introduced by Face to Face inquisitor John Freeman.
The tale of a lonely Southern woman's longing for her handsome next-door neighbor. At once tragic and romantic, the story is a reworking of the Williams play "Summer and Smoke," which uses the same characters and setting but in dramatically different ways.
A presentation of Tennessee Williams' three one-act plays: "Moony's Kid Don't Cry," "The Last of My Solid Gold Watches," and "This Property Is Condemned."
Zem nezasľúbená
Two first-year students at Oxford University join a secret society and learn that their reputations can be made or destroyed over the course of one evening.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.
One of Shakespeare's greatest plays, The Winter's Tale, though written at the same period as The Tempest, smashes all the rules that The Tempest follows. Unity of time, place and action are hurled aside as we range across Europe, from court to country, from high tragedy to low comedy, across a time span of sixteen years. The Winter's Tale tells of a delusional and paranoid king who tears his family apart. But this is the new Shakespeare, after he completed his great tragedies, and the tough struggle for redemption yields flickers of hope. Initial darkness gives way to joy as Time leads the characters to a shattering conclusion...
Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.