Yoji and Kei, a boy and girl, live in a town in the not-so-distant future with their foster parent, Anna. But these seemingly ordinary children have a secret hidden even from their unsuspecting mother. Yoji and Kei are superhero defenders of their town! With a flap of their capes, the two of them and their robot bear sidekick, Oscar, protect the citizens in their town with their handmade high-tech machinery. But from what menace? And will our little heroes be able to overcome the crisis about to threaten the town's peaceful everyday serenity?
Thirty Million Letters is a 1963 short documentary film directed by James Ritchie and made by British Transport Films. It was nominated for an Academy Award for Best Documentary Short.
The Arkansas school integration crisis and the changes wrought in subsequent years. This film profiles the lives of the nine African-American students who integrated Central High in Little Rock, Arkansas, during the fall of 1957. The film documents the perspective of Jefferson Thomas and his fellow students seven years after their historic achievement. Central to this story is their quiet but brave entrance into Little Rock High, escorted by armed troops under the intense pressure of the on looking crowd. We learn first hand their impressions of the past and present and their hopes for the future. Their selfless heroism broke the integration crisis and pioneered a new era. This film went on to win an Academy Award® for Best Documentary Short in 1964.
This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.
Comprising train and track footage quickly shot just before a heavy winter's snowfall was melting, the multi-award-winning classic that emerged from the cutting-room compresses British Rail's dedication to blizzard-battling into a thrilling eight-minute montage cut to music. Tough-as-boots workers struggling to keep the line clear are counterpointed with passengers' buffet-car comforts.
Jenny is a Good Thing is a 1969 American short documentary film about children and poverty, directed by Joan Horvath. Produced by Project Head Start, it shows the importance of good nutrition for underprivileged nursery school children. The film was nominated for an Academy Award for Best Documentary Short.
An Oscar-nominated film with no narration showing the Exploratorium (The Palace of Arts and Science) in San Francisco. It shows many of the exhibits and the reaction of visitors to many of these. Preserved by the Academy Film Archive.
Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.
An intimate view of the panorama of African wildlife, giving a sense of what it is really like to be there, and in a dramatic climax makes a poignant plea for conservation. Filmed in Zaire, Kenya and Tanzania, the film takes the viewer from deep inside an anthill, to the majestic giraffes suckling their young. African storms, dung beetle ritual dances, duels for supremacy, feeding time, and playtime all end as the animals disappear one by one while the sound of a rifle shatters the existing magic of life. Winner of the Academy Award for Documentary Short Subject, 1976.
Our Cinema
“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
Bees are one of the most important species on the planet. A look at the trials and tribulations of two particular honeybees over two years from birth to death.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Documentary focused behind the scenes of the making of the play 'io' by Antonio Rezza and Flavia Mastrella
A discussion of the very important and highly controversial film, GUESS WHO'S COMING TO DINNER, featuring interviews with people like Katharine Houghton, Martin Baum, Louis Gossett, Jr., Norman Jewison, Garry Marshall, Karen Sharpe and Salome Thomas-El.
A follow-up of A LOVE STORY OF TODAY, where actors and crew discuss GUESS WHO'S COMING TO DINNER.
This short documentary focuses on protests surrounding a homophobic sign that hung behind the bar of Barney's Beanery in West Hollywood for many years.
Over twists, presses, and wash-and-goes, filmmaker Cheryl Dunye joins other clients and hairstylist DiAna DiAna in her South Carolina salon to discuss the current impact of AIDS on Blacks in the south, and what has changed and stayed the same since DiAna was featured in a seminal short video by Ellen Spiro thirty years ago. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.
POSSESSED enters the complicated worlds of four hoarders; people whose lives are dominated by their relationship to possessions. The film questions whether hoarding is a symptom of mental illness or a revolt against the material recklessness of consumerism. When does collecting become hoarding and why do possessions exert such an influence on our lives?