“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher
A mysterious knock in an instant destroys the usual life that four lonely, calm people lead.
An absent-minded traveler arrives at a Spanish beach where chaos is about to break out. (Followed by Mad in Xpain, 2020.)
An outcast duckling's search for a family to accept him leads to constant rejection before learning his true identity as a swan.
It has been a year since Tod's death, yet Pla Thong still cannot move on.
A scientist has been attacked and a secret recipe stolen, so a private detective duo is hired to unravel the mystery.
A young sailor descends from a local train. He goes to a nearby forest, which is full of strange men in medical uniforms behaving in an absurd and eccentric manner. The sailor falls under their influence and masochistically gives himself up to them only to be disemboweled by the werewolf orderlies. The sailor’s last unconscious image is a “white ship sailing towards the horizon”—a Soviet symbol for happiness and joy.
We are in 2012, life goes on. Children are born, people die and things happen in between. Nevertheless, this society has its strange particularity, it has never known laughter. In this world, nobody has ever laughed. Neither humor nor derision exist. Until a psychoanalyst meets a patient with a strange illness.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Oh! What a Nurse! is a 1926 American comedy film directed by Charles Reisner and written by Darryl F. Zanuck. The film stars Sydney Chaplin, Patsy Ruth Miller, Gayne Whitman, Matthew Betz, Edith Yorke, and David Torrence. The film was released by Warner Bros. on March 7, 1926.
After leaving Nuevo Toledo to pursue a dream, Salvador Iglesias Jr. finds a job at a prestigious fashion firm. How long will it take for Chava to become the successful high-tech fashion designer we now know?
In a convent, the punishment by a sadistic nun of a few mischievous school girls takes an unexpected turn...
When Maia, a mixed race Latina woman, sets out to reconnect with her traditional Mexican roots on her Nana's 100th birthday, things go terribly wrong.
A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.
Modell Lu, der Lebensweg eines Hutes
Quiet 10-year-old Zsofi has just changed schools. Feeling out of place at first, she is quickly admitted to the school’s famous choir and befriends her popular classmate Liza. Soon, they have to stand up united against their choir master, who isn’t quite the friendly and inspirational teacher they first thought she was.
Two estranged siblings, a botanist and a magician, come together to try and raise their mother’s body from the dead.
Overwhelmed by her husband’s medical bills, Sofia takes a desperate measure: she becomes an egoblogger.