Nakaw

Exposé of two news photographers covering the People's Revolution in the Philippines.

A young woman recalls how her father (a fallen priest), her mother (a woman with a secret past) and her teenage sister returned with her to live in their ancestral home after the family business failed. She was plagued with mysterious problems of sleepwalking and began a romance with a young man who tried to cure her.

A Filipino teenager is shot to death on the sidewalk of New Jersey, USA. An investigation starts into his death. His family members and friends are interviewed. Along the way, we find out not only more about him but about the community of Filipinos in America in general, including the destructive effect of the drug "shabu" on its youth. The detective who handles the case also has his own personal demons to settle with his violent past.

Due to a delayed flight a group of German flight passengers have to wait in the hall of the airport of Manila. The crowd is quite mixed, ranging from an cultivated east German teacher couple up to sleazy sex tourists. As the waiting prolongs, more and more aggressions and long repressed behaviors shed their way to the surface.

It's the story of a young woman, whose husband, is arrested by the soldiers of a Japanese garrison, on the suspicion that he is a guerilla. Dizon pleads her case to the garrison's commander, who sympathizes and lets Yllana go; when the commander's wife dies and leaves their son motherless, Dizon, is hired to feed the baby from her own breast.

Tour guide Berta is having a tough time making ends meet. She’s forced to let her son Omel travel to the big city to take a job at an electronics store. Luis is studying to be a seaman, but can’t seem to pass his exams. His girlfriend Dolores is working as an intern at a resort, and dreams of going abroad as well. Sandra, following a painful event back in Manila, returns to her native Bohol, taking her spoiled son Eric with her.

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.

Desiree and Gilbert are in love but no one seems to believe it. Desiree's friends thinks Gilbert is just using her. Gilbert is studying to become a doctor and Desiree is financing his tuition fee and daily expenses. Gilbert's family thinks Desiree is interested in the family fortune. Gilbert is a rich kid but he left home when his girlfriend committed suicide after being insulted by his mother Gracia.

A famous dress designer who adopted the illegitimate daughter of one of her models. The little girl became her only joy after she turned into a recluse when she lost her fiance. Unknown to her that was only the beginning of her troubles with Dina. Dina returned from time to time with threats of blackmail kidnapping and other evil deeds.

Babae...Ngayon at Kailanman is a film adaptation of three Filipino short story masterpieces: Nick Joaquin's "May Day Eve", Amador Daguio's "Wedding Dance" and Wilfrido Nollega's "Juego de Prenda.

An environmentally conscious movie about Butanding, or whale shark.

Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.

A woman whose whole life is her art, but when she loses it she goes into a self-exile, only to be, hopefully, reinvigorated by a young boy daring to bring it all back.

Three stories of love starring Sharon Cuneta. The first, "I Love You, Moo-Moo" (directed by Leroy Salvador), is about a young bride who died on her honeymoon; the second, "Ang Silid" (directed by Lino Brocka) is about an interior decorator who investigates a forbidden room owned by a mysterious woman whose sister was murdered; and the third, "Katumbas ng Kahapon" (directed by Emmanuel Borlaza) follows a young woman torn between her abusive husband and her former lover who returned from the US.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?

Intoy has had the hots for Doray since they were kids in Kalye Marino, Cavite City, formerly the American Naval Base in Sangley Point. Both marginalized as the long-lasting effect of American abandonment of the said base, Intoy has become Kalye Marino’s best “tahong” caretaker-with-no-angst-about-poverty, while Doray a cheap prostitute-with-no-guilt, tending to her siblings’ needs. Intoy strives to have his own cages of “tahong” so he can have Doray, not for just a night of quickie sex, but forever. But what will he do to when she offers to drop by his hovel-on-stilts to quench his passion, but before it happens Nature has chosen to play a joke on his tahong cage? Will it be goodbye to his tahong business or to his damsel-in-distress and ultimately to Kalye Marino? From Eros S. Atalia’s 2001 Palanca Grand Prize-winning Short Story, Intoy Syokoy ng Kalye Marino is a love tale minus the obligatory romantic sentiments.

Gerry and Rochelle are childhood sweethearts. Although Rochelle wants to settle down, Gerry wants his ambitions fulfilled first. The couple's relationship is threatened by the arrival of their childhood friend Tonette. Tonette seduces Gerry away from Rochelle by giving him a job, an apartment and herself. She agrees to share him with Rochelle at the same time hiring Rochelle as a maid. Things soon come to a head when Rochelle decides to leave Tonette's household after repeated attempts by Tonette's father, Don Teofilo, to defile her.

Guam, U.S.A. Thursday, November 24, Thanksgiving Day. Alex, a local newspaper photographer, gets into a “green card marriage” with her good friend James, a Guam-born Filipino. Miriam, a former member of the Philippine press and now an established Guam journalist, longs to repair a damaged relationship with her American husband. Ella, a hotel housekeeper for almost 20 years, finds means of sending her 88-year old mother to the Philippines with the uncertainty of coming back. As the island of Guam celebrates this classic American holiday when people count their blessings and give thanks, the lives of the three Filipina immigrants intersect and find themselves at a tug-o-war of sacrifice and significance where they must find their home or must they find it somewhere else.