"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
The amnion – the fetal membrane protecting the embryo – becomes a metaphor in the film for an intimate space where pain can be shared and a path to healing sought. This sensitive portrait of three women whose lives have been marked by sudden separation is carried from the outset by a meditative soundtrack that shapes an environment in which personal experience becomes expressible. Ritual gestures – traditional costumes, cooking together, hugging – create a protective shell that allows pain not only to be expressed and shared, but also transformed.
Nemanja Jović, an autistic boy works in a cafe which employs people with development disabilities. We see his everyday life, at home at Pančevo, and as well as his workplace in Belgrade. It opens up a dialogue about a theme which is rarely explored in Serbian society.
In 2010, director Michiel van Erp started filming a group of children in Utrecht. He kept filming them till 2018, the year they turned 18. The film portrays those moments which were crucial for the development and personal growth of the kids.
A harsh and dreamy story of a young girl from the American West and her longing heart. Through Betty we experience a tight family clan of children born by children born by children where love and dependency go hand in hand.
Following young Anders and his father, Dr. Grant Bruno, of the Samson Cree Nation, this documentary gives viewers unique access to the world of an autistic child, and to follow his father’s journey to bring back traditional First Peoples perspectives in our contemporary world.
The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity
The Invisible Illness is an in-depth study on life with Endometriosis. Endometriosis is a disease where tissue similar to uterine lining grows in other parts of the body causing many issues such as intense pain, fertility complications and organ dysfunction. It isn’t a unique illness. In fact, endo affects one in nine Australian women - and it’s a disease most people have never heard of.
El viaje inverso
Based on the book by Naoki Higashida, filmmaker Jerry Rothwell examines the lives of five non-speaking, autistic youngsters.
Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.
A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.
Director Hannah Livingston spends 6 months tracking two of America's most radical Christian hate groups - a notorious pastor from Arizona and a network of extremist preachers.
Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.
The film recounts the incredible research conducted by François Cartault, a pediatrician and geneticist on the island of Réunion. Conducted like a police investigation over more than 20 years, his research, both medical and historical, takes us on a journey through the disease of moon children, deprived of sunlight, and on the trail of slavery in Africa. The film shows how genetics is also an astonishing trace of history.
Four men finally break their silence about the sexual abuse they suffered as children. No violins, no monsters—just men standing up to shame and oblivion. The film explores what it costs to speak out, rebuild oneself, and regain control. A cry against collective amnesia and the myth of unbreakable masculinity.
Selfie is a pop culture in Hong Kong. Other than entertaining oneself, taking selfie can be an artistic work of personal photography. In general, people have negative feelings towards selfie, but it does carry alternative and in-depth meanings such as capture the moment and understanding oneself.
Filmmaker Michel Orion Scott captures a magical journey into a little-known world, in a documentary which chronicles Rupert Isaacson and Kristin Neff's personal odyssey to make sense of their child's autism, and find healing for him and themselves in the unlikeliest of places.