The Fairylogue and Radio-Plays

Dorothy and the Scarecrow are now in the Emerald City. They have become friendly with the Wizard, and together with the woodman, the cowardly lion, and several new creations equally delightful, they journey through Oz -- the earthquake -- and into the glass city. The Scarecrow is elated to think he is going to get his brains at last and be like other men are; the Tin-Woodman is bent upon getting a heart, and the cowardly lion pleads with the great Oz for courage. All these are granted by his Highness. Dorothy picks the princess. -- The Dangerous Mangaboos. -- Into the black pit, and out again. We then see Jim, the cab horse, and myriads of pleasant surprises that hold and fascinate.

John Dough gives his assistance in the celebration of the Fourth. No end of trouble results from the invasion of his peaceful rest by the much-despised Miffkits. Then comes the cherub, who introduces Dough to his animal friends, incidentally secures supplies. He then visits the fairies' garden and later interviews the Princess Ozma, who makes a prophecy: "The throne of Lo-Hi shall vacant be until the coming by air or sea of an oven baked man and a Cherub wee." Accordingly John Dough drops into the Land of Oz and meets the Cherub.

A struggling drug addict is plunged into a tortured netherworld, where he must defend his spirit from a ravenous horde of soul-addicted junkies.

People magically appear and disappear from an oversized musical cigar dispenser.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

Tarzan spurns the love of La, Queen of Opar. When he isn't trying to keep the Bolshevik Rokoff and Clayton (pretender to the Greystoke estate) from reaching Opar, he is attacked simultaneously by two lions, dropped into a pit when a volcano splits the ground, nearly sacrificed by sun worshipers, and so on.

A cut-out animation depicting the Twelve Labours of Hercules.

The various parts of Faust are played by puppets.

The opening scene is in a tailor's shop, showing the four assistants more or less in love with their employer's daughter. After some time, the tailor says he will give his daughter to the one who shows himself to be the cleverest. Some very amusing incidents follow. The various feats accomplished during the contest are clever examples of trick photography. (Moving Picture World)

The history of the fan.

Several unique specimens of highly ornamented porcelain are shown in series. In each case the various pieces of ware are in reality formed of living people. After a short time has been allowed for admiration of each article, it disintegrates into the individual models, who pose in various figures and dances. In the following pictures are seen a powder box, a clock, candle sticks, a loving cup and a vase, all of wonderfully ornate design, beautifully colored. (Moving Picture World)

This two-strip Technicolor record of the 1936 freshman pageant, acted out entirely by women, begins with Dorothy escorting the Wizard to the throne, assisted by Ojo, whereupon he looks in the Magic Picture on the University of Michigan, and the typed students complaining about school. The Wizard decides to bring them all to Oz, transforming them into Oz celebrities: Tippetarius, the Scarecrow, Nick Chopper, Tik-Tok, Old Mombi, Jinjur, Scraps, The Shaggy Man, Betsy Bobbin, and Jack Pumpkinhead. After a party and registration, it's on to class with Professor Wogglebug. When Tip and Jack carry him out of the classroom, he subjects them to a blue book exam, after which they wish to return to the U of M. The equivalent characters are not played by the same people, so there transformation, their "true self" appears behind them in the early scenes.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

At a military demonstration Red Imps: Misha, Duniasha and Tom Jackson bring a captured enemy, dangerous Makhno.

In this picture there is a limited amount of action in the pose. As the curtains are drawn aside the shell appears shut. It gradually opens, disclosing the model curled up in a recumbent position. She slowly arises as if awakening, and gracefully assumes the final position of the pose.

A cook and his assistant are seen preparing dinner. While cook leaves the room he cautions his assistant to watch the pot so that it will not boil over. The assistant proceeds to pick the feathers from a chicken. Meanwhile the pot boils over and Satan appears, surrounded by a cloud of steam.

A green-skinned demon places a woman and two courtiers into a flaming cauldron.

The outlawed Earl of Huntington took to the woods, as we say in America, and with his merry archers had a good time in Sherwood Forest with winsome Maid Marian and jolly Friar Tuck. The adventures of Robin Hood makes an attractive subject for a pretty film. The first appearance of Robin Hood on the screen.