Mutant Apocalypse in Drugfuck Deathcamp

While with one of his clients, the young male prostitute Cédric receives a voicemail from his mother. She is going through detoxification and desperately wants him to come and visit her. Cédric embarks on a journey through Paris, attempting to get to her as fast as he can against all the odds.

Barbara is back and still naked. Armed with only a chainsaw, she must survive the zombie apocalypse.

The Division employs time agents to go and fix events from the past to make a better future. Presented in a mockumentary style, this project was created as part of a 48 hour film competition to make a trailer for a non-existent movie.

Contato

In a rural Italian village, Antonio is asked to translate an English-speaking woman's confession, but when he starts disagreeing with the priest, he has to make a decision that might change the course of her life and maybe his too.

An inventor creates an electrical torch that reveals a hidden world layered upon our own - filled with beautiful spirits, strange creatures, and dangerous phantoms.

Two business execs struggle with their family life when their nine year old son critically wounds the monster under his bed.

Calvin, a millennial burnout, wakes up hungover on his couch to his estranged mother, Bambi, standing over him before strapping a brick of cocaine to his chest and sending him on a strange odyssey.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

A young llama named Koro discovers that the grass is always greener on the other side (of the fence).

Koro wants to get to the other side of the road.

In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.

At a remote mountain lake a bound man with cemented shoes is being dragged to the water by two other men and his request for a coup de grace escalates into a clash.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.

Somewhere on Earth, a worker robot encounters an alien. Having never seen one before, he takes it for a thief.

Owen is hiking through the countryside when he meets a strange sheep with human features. The story follows them both as Owen takes the sheep-man into his home and they gradually become friends.

In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.

'Lost Boy' is an ambitious sci-fi concept heavily influenced by the American action classics and Japanese samurai films. It instantly captures viewers with its highly visual and unparalleled sci-fi world.

A young woman’s fiercest self takes over to fight for her life when she’s attacked in this taut thriller from up-and-coming filmmaker Catherine Fordham. After waking up and noticing bruises on her body, the woman flashes back to last night’s perilous journey home. But as full memory of the attack she experienced comes back to her, we soon realize our heroine turned the tables in a surprisingly scary way. Fordham’s effective twist on the rape-revenge thriller marks her as a forward-thinking horror maker with a unique perspective in a historically misogynistic genre.