Paraguay, the Promised Land

Betty Jara reassembles the Yaguareté Commandos to exchange an imprisoned criminal for one of her own agents. A risky operation becomes even more so when she realizes they are not just fighting a drug ring but the highest spheres of power.

Rafael is the oldest brother of a close family belonging to generation of Olimpia Soccer club fans, he is in charge of managing the family's mini market. Due to his brothers mistake, he receives an eviction notice from the bank, and decides to pose as a lawyer to solve the case.

A typical weekend out of "the dogs." The protagonists are a trio of teenagers who do what all 17 or 18 year old boys do: they ask dad for the car and go to some burger shop. In the middle, the film paints the environment: family relationships, love relationships, friendships. Until a surprising ending that changes the realistic code for the fantastic code.

Rubén González appears one day on a farm looking for work, the owner of the farm, a German named Hans, gives him the opportunity to stay, what he doesn't know is that Rubén comes with intentions to steal, since he has information that the "German" has many hidden jewels, in turn, Rubén also doesn't know that the "German" will realize his true intention.

Nazi hunter Ezra Lieberman discovers a sinister and bizarre plot, masterminded by Dr. Josef Mengele, to rekindle the Third Reich.

A brave country girl's colorful rise to fame as a cumbia singer in Paraguay.

Paraguay, 1958. The charismatic Narciso returns from Buenos Aires with rock ’n’ roll in his veins. Under the suffocating military regime, his radio show becomes a music sensation and a symbol of freedom.

Óga

"The Napkin Universe" tells the story of Felix and his friends, youths in search of answers to life's great mysteries, transcendence and love all the while facing the routine conflicts of existence in that stage of life where we go from adolescence to adulthood. The city of Asuncion becomes the urban backdrop onto which this story is scribbled.

José Benítez, a young Paraguayan worker who lives in Buenos Aires marginalized by his surroundings, is the victim of a Salidera. Motivated by his desperation and the urge to reverse his current condition, Benítez will try to get his money back, discovering in such an attempt that the possibility of achieving it is not so far away.

The life and times of famed Paraguayan musician Agustín Pío Barrios, from the years of his youth to his international success.

It tells the odyssey of Atilio and his granddaughter traveling to Buenos Aires, from Paraguay, his native country. The landscapes that run, the characters they encounter along the way, each with their own way of seeing the world.

Lo que guardamos

Victoria becomes an orphan because her father, Don Lucio, died. She does not have good communication with her mother, Raquel. She looks for, and finds a job as a store employee, and at the same time she finishes her high school. There are memories from the past that cause her to seek out and create her destiny. She is avoiding from her family, her friends and from her boyfriend Aurelio. These and other stories, and this character and others are going to mix, and configure a complex crucible from the actual Paraguayan reality.

La Chiperita

Líbranos Del Mal, Amén

La Cita Perfecta

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

In 1983, the inhabitants of the city of Pilar struggle against nature in an attempt to survive an imminent rise of the river, and amid the desperation, hope emerges.

La redención