Shreelancer

When he experiences chest pains, hopeless hypochondriac Bhagwant checks into the hospital for a checkup and overhears his doctor discussing the diagnosis of a terminally ill patient with an associate. Assuming he is the one scheduled to die, he asks his friend to help him find a new husband for his wife Priya so he'll know she won't be alone once he's gone. He locates Priya's old college beau Fernandes. Meanwhile, Priya mistakes her husband's machinations for an attempt to cover up an extramarital affair and throws him out of the house.

Durgadevi rules her household with her brother, Makhanlan, and treats daughter Shanti worse than she treats servants; her other daughter is Roopa. When the younger women are approached for marriage, Durgadevi refuses.

Shanta agrees to marry a lesser educated man.

Advocate Jai Saxena lives in a small flat with his mom. One day his mom hires a maidservant named Imarsi, but later they find out that she is an impostor, and fire her. A few days later she comes knocking on their door in the dead of night, claiming that she is the sole heiress of Rai Bahadur Tulsinath's estate, and that someone is out to kill her. Jai wants to believe her, but his mother disbelieves her and wants her out of their lives, as she feels that this is nothing but another trick on her part to fool them. When the police are notified, the Saxenas are told that this woman's real name is Ragini, a homicidal killer, wanted by the police. Will Jai be convinced that he was offering to shelter a fugitive from the law?

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

The film, set in the 1980s and 90s, chronicles the transformation of Bombay to Mumbai. The story is a cat and mouse game between a deadly don, Amartya Rao, who doesn’t think twice before killing, and there’s nobody who could stop him and a cop, who is dogging his every step.

When an army commando finds out his true love is engaged against her will, he boards a New Dehli-bound train in a daring quest to derail the arranged marriage. But when a gang of knife-wielding thieves begin to terrorize innocent passengers on his train, the commando takes them on, one by one.

In the sweltering Arabian Gulf heat Ananda’s dreams of a better life than the one she left behind in India are shattered after her child is forgotten on a school bus. Armed with the dead child’s ashes, she stands up against society’s ‘invisible’ caste, demanding accountability and refusing the customary blood money.

An anthology of four stories that explore the surprising ways in which unexpected catalysts inflame the uncomfortable emotions simmering under fractured relationships.

The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..

Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.

Jhanvi Kaul is on trial for the murder of her lover and employer, Ranjeet Choudhary. A series of prosecution witnesses build a damning case against her - that the two of them had embezzled large sums of money, that she had another lover who is also a local goon and that a witness even saw her throwing the body of Ranjeet over her apartment balcony.

A Crime Branch Special Officer Investigates serial disappearances of high profile individuals in a state capital.

The film is set in the small town of Chunar, near Varanasi. Ittu Si Baat is a slice-of-life story of an up-and-coming cricketer who falls in love with his childhood friend. "A modern take on first love, it's a sweet small-town love story loaded with teenage innocence comprising a talented and versatile star cast. The movie will take the audience on the journey of Bittu, who learns about the aspirations of his childhood crush Sapna and the extent to which he goes to fulfill her dreams.

A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.

1950 bollywood film.

1950 bollywood film.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

A man pursues a woman who is already engaged and eventually gets married to her. Differences between the two lead to a bitter separation that threatens to destroy their relationship forever.

The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.