The Future Ahead

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.

Mzia’s classmates have decided to stay in their village and work at the Sovkhoz after graduation. But Mzia’s mother wants her to go to Tbilisi to become a student.

Inmates at a women's mental asylum stage a theatrical production of Herman Melville's 'Moby Dick.'

In the absence of their parents, Johnny and Jennifer are being brought up by their sister Tanya, an overdressed transvestite. Both kids mess up their pursuit of romance, and both look for ways to break away from the family home and become independent.

A Jury of Her Peers is a 1980 short film directed by Sally Heckel, adapted from the story by Susan Glaspell. A farm woman is accused of murdering her husband in early 1900's Midwest America. The film was nominated for an Oscar for Best Live Action Short Film.

Couples and Robbers is a 1981 English language comedy/crime film written and directed by Clare Peploe, starring Frances Low, Rik Mayall and Peter Eyre. Two couples -- one with all the riches that dreams are made of, the other with only dreams and schemes -- are brought together by the plotting of the poorer couple. A pair of newlyweds wander through the city streets, bickering about their poverty, until they are distracted by the opulent home of a lawyer. Impulsively, the couple makes off with the lawyer's vehicle for one night of extravagant indulgence. The film was nominated for an Oscar for Best Live Action Short Film.

Composed of four stories, each part of 10 minutes, namely: "Rainbow and Zebra", "The Goddess of Victory and the Snail", "The Ant and Love Letter", and "His Royal Highness and the Sheep".

A woman director is making a film about Billie Holiday. She wants to learn from her how to "feel" again, how to love again.

In a small American coal town living in the shadow of a recent mining accident, the disappearance of a teenage boy draws three people together—a surviving miner, the lonely wife of a mine executive, and a local boy—in a web of secrets.

Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.

Crystal Lake is about a group of young girls who take over a skate park, forming an all-female force field on the half pipe. There on the reclaimed ramp, with no boys around, they are thriving and visible. This is an anthem for young feminists, which presents female friendship as a means to survive adolescence.

The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.

After being introduced by a mutual college friend, two unnamed characters form an immediate connection. As their romantic relationship progresses, the honeymoon fades and the two are forced to grapple with their own changing identities and career ambitions.

Marianne, 44, has been living with the lawyer Gustaf in a conventional sexless marriage for way too long. She wants a separation, but Gustav settles for a trial separation. As Marianne indulges in being newly single, Gustaf is perplexed by the sudden turn of events and in his confusion makes a completely irrational career change: he quits his job to start writing poetry. Meanwhile, Marianne meets the artist Rodolfo, the complete opposite of Gustaf; intriguing, emotional, impulsive. And horny.

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.

September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.