Alanis

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Obsessed with finding her old boyfriend, Gumer, a 25-year-old girl, is released from jail in Barcelona, one of Europe's most sought-after port cities for drug trafficking and prostitution. Charo, her best friend, tries to help her, although she is not free, since depends on her pimp "Toni". But Gumer will persuade Charo to abandon Toni and form, along with other friends, a band to start businesses on their own.

Lonely hostess Kiyo spends her days propositioning men on the cold streets of Tokyo and being beaten by her violent pimp, Tetsuya. One day her luck seems to change when she meets a charming foreigner named Anchin and a romance blossoms but soon everything falls apart when she becomes pregnant. Upon hearing the news Anchin flees Tokyo. With nowhere left to go she turns to The Viper, a scorned spirit that has been with her since birth.

A woman falls victim to a dominant mafia boss, who imprisons her and gives her one year to fall in love with him.

A story of the sexual adventures of three fifteen year old girls: Elisa, Marian and Susi.

A pool boy and a gardener turn an empty mansion into a home for women who belong to the world's oldest profession.

Aitana, Pierrick, Rita and Jorge are all in their twenties and all look for ways to make their nights in the city of Madrid a little less lonely. Aitana is a sweet girl trapped in a men’s body; Pierrick is a cute French gay; Rita doesn't much care about her partner, Carolina, and walks through life with no expectations; Jorge is trapped in a relationship with no future: the one he has with Maria. Set against a background of drugs, sex, multiple partners and differing sexualities, Longing Nights follows the individual stories of these young people. A candid portrait of four relationships highly loaded with eroticism from beginning to end. Four stories told without no borders between fiction and reality.

Brother and sister meet again after 15 years and fall in love with each other.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

A film by Eddie Rodriguez.

The film centres around the young woman Erika, desperately seeking for love and escape from the depression of the times, drifting, and in the end becoming involved with a circle of rich people who sell goods for sexual favours.

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

Jor and Gerda is a loving couple that lives together in Copenhagen. Jor is trying to make a breakthrough as a writer, without any luck so far. His struggles have caused Gerda to provide for them by selling sexual favors on the street.

A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.

Suleyman works at a gas station. One of his customers Kenan, who is a businessman, asks him to be his bodyguard. Suleyman is in love with Oya. Kenan wants to prevent their marriage and makes a plot with his brothel girl Cicek. Cicek has an affair with Suleyman and Kenan takes their photos. As Oya sees the photos, she leaves her job. Kenan gets her to work for his relative Leman who is a tailor. Suleyman quits his work and searches for Oya though without success. Oya gets to know about Leman and Kenan's evil plans and she gets seized on her attempt to escape. Cicek informs Suleyman about Oya's whereabouts. Everybody gets organized to save her and they succeed. Cicek shoots Leman and Kenan at the expense of her own life.

Two northeastern brothers live and work as waiters in Baixada Fluminense. The duo tries to balance themselves in an underworld permeated by financial difficulties, prostitution and urban violence. Antônio feels out of place.

Three troubled young girls will do anything to escape their stifling lives - even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

The main thing is sexy - no matter whether thin, fat, what skin color, young, old, we can all be sexy in different ways. Almost every woman grows up having to work on herself in order to remain desirable. Why? What if we stopped pushing ourselves into a sexy pose with all our might? What if we no longer fought for the right to be sexy, but were truly free? What if we stopped investing all our time and energy in being heard and the world started to hear us? A modern movie about modern women and men - who might be able to find a common language.

When a social worker named (FAITH) begins to investigate a series of in depth cases,she begins to become emotionally involved. Which is breaking the number one Cardinal rule of her job. This pandora box of emotions begins to unravel & pull back the layers on FAITHS own past. Leading her down a path of discovery,that no one is expecting.