Sé villana. La Sevilla del diablo

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Seville, Spain, 14th century. A group of black slaves brought from Africa form the Hermandad de los Negros, a Holy Week brotherhood that has survived over the centuries, despite the opposition of the powerful; still active, it is one of the oldest institutions in Europe.

Documentary about Seville's hip hop scene.

"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

This Traveltalk series short looks at four of Spain's most famous cities, Granada, Seville, Toledo, and Madrid, with an emphasis on the Moors and their influence on the country.

Storm

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Fernanda Ocaña, a 60-year-old drag artist from Seville, left her hometown at 14 to build a life in Barcelona. Taken in by the iconic Spanish artist José Pérez Ocaña, she immersed herself in the world of show business. Today, she continues to shine as the host of the Bar Ocaña in Plaza Real, welcoming guests with her unmistakable charm.

Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.

Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

Between Munich and Seville, the destinies of sixteen characters intertwine and intersect, missing each other or colliding head-on. They are all, without knowing it, at a pivotal moment in their lives...

Los alegres bribones

Se acabó el petróleo

Not Funny

Currito, raised in a Seville hospice, ekes out a living while trying to become a bullfighter.

Simón is an aspiring novelist who makes a living designing crossword puzzles for a newspaper. One day he receives a threatening message instructing him to include the word "adversary" in a puzzle as Seville gets hit by a series of violent attacks.

José has spent the last 8 years preparing the exams to become a civil servant in Spain. After his tests, he celebrates with friends and family, only to receive the news that he did not actually secure a place.

A fugitive couple goes on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust.

Port of Seville, Spain, 1640. A group of people from very different origins embark on the ship Capitana. They are members of the upper class, adventurers, peasants, convicts, who have only one thing in common: the illusion of arriving in America, the promised land where they can make their dreams and ambitions come true.