Marquis de Wavrin, from the Manor to the Jungle

Starting from the colonial city of Trujillo, this documentary reveals natural and archeological features along the north coast of Peru, where the Moche culture thrived from the 1st Century BC to the 6th Century AD.

In the Formative Period 4,000 years before the Incas and the arrival of the Conquistadors, Peru’s earliest civilizations - the Chavín, Caral, Ventarrón, Sechin, Cupisnique, and Cajamarca cultures - built centers of learning and technological achievements, including the largest work of hydrological engineering in the ancient Americas: the Cumbemayo canals.

Entre la ola y la roca

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

A sensory record of the relationships of affinity and enmity with fire in the conservation of the Cerrado biome. In the company of local residents hired to act as brigadiers and, more recently, as management agents, the short film explores the affections established with fire in the midst of combat pyrophobias and management pyrophilias. In addition to documenting fire fighting and manipulation techniques, the cinematographic experiment points to a more than human visual anthropology, where environmental forces such as heat, vegetation and wind make up an alterity whose condition remains ambiguous.

The film Terre Magellaniche represents the fruit of multiple and risky trips that the explorer Alberto M. De Agostini made in the Patagonian mountain range and in the Tierra del Fuego archipelago. Executed with rare mastery and exquisite artistic sense, the film shows the explorer in the labyrinth of Patagonian channels, penetrating the deep fjords between large masses of floating ice of curious shapes, coming from the immense glaciers that descend from the Cordillera and bathe its frontal walls on the waters of the sea. Transported to regions of extraordinary beauty, situated in front of gigantic mountains, from which majestic waterfalls rush, the viewer experiences the illusion of finding themselves in a mysterious kingdom of dream and enchantment.

A documentary following an Estonian fashion designer Reet Aus on a global tour to explore the origin process and the environmental footprints of today's fast paced fashion industry. On the road the mission takes an unexpected turn towards trying to introduce her "upcycling" inspired product line to some of the major fashion retailers to increase awareness of the massive resource waste built into the current product lifecycle.

The Cousteau Collection N°34-1 | The Legend of Lake Titicaca

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.

A story of three young Europeans, who fell victims to a momentary lapse of reason and currently serve their terms in prisons around South America. By following their daily lives and dissecting their deepest motivations, the film reconstructs the breaking point which turns young, optimistic, people into mere beasts of burden.

Gives a brief overview of the history, geography, distribution of population, the political/social/economic systems, the Catholic Church, the military, and the problems in South America.

A sampler of the lives, places, and events which make up present-day Colombia, South America. Provides insights into the look and feel of Colombia, as well as Latin America as a whole.

Trabantem až na konec světa

In the name of the struggle against terrorism, a special operation - code named CONDOR - was conducted in the 1970s and '80s in South America. Its target were left-wing political dissidents, the organized labor and intellectuals. Condor soon became a network of military dictatorships supported by the U.S. State Department, the CIA, and Interpol.

Avoir 16 ans et toutes ses Andes

Women workers stand up to the toxic flower industry in Colombia.

The words of the women and the rhythm of their lives in the seclusion of family compounds suggests both the satisfying and the limiting aspects of a woman's role in a rural Afghan community. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on women. The film and accompanying instructor notes examine the economic, political, religious, and educational status of women, their legal and customary rights, and the degree of change in their actual and perceived roles.

The Andes Mountains travel the western side of South America. Unlike many other mountain ranges of their altitude, the Andes do support human life on their high altitude slopes. Modern life is slowly making its way to the high altitude Andes, but the natives for the most part continue with the traditional ways of their ancestors, growing limited crops such as beans and potatoes - where the crop originated - raising sheep and pigs, and living in crude huts. The llama is the most useful of their work animals. The most conspicuous aspect of the native dress is their derby hats, the origins which are unknown. Further down the slopes, agriculture and ranching is more productive and is carried out by descendants of the Spanish settlers. There is a famous lake district in the Chilean part of the Andes, where resort hotels are located.

Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.

Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.