An immersion into the Divine Feminine

Documentary examining the medieval myth of the Philosopher's Stone, a Holy Grail-type relic which supposedly held the key to alchemy and immortality. Many noted alchemists and adventurers searched obsessively for the artifact hoping to learn its powerful secrets, a quest which allegedly drove some to madness and others to celestial encounters.

Ancient Explorer, Amish Shah travels to the west coast of India in search of an ancient submerged city. With a passion for the truth, he stumbles into a cover up and in this film, he goes public with what he found.

The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

A contemplation of art and adventure in the southern wilds of New Zealand by both a landscape photographer and an adventure filmmaker. This film is the unexpected result of their two unique perspectives.

Wacken Open Air is the biggest 3-day-rock- and metal-festival in the world. It's three days of raw energy, non-stop Heavy Metal music at full blast and 80.000 fans on a party frenzy. A true legend, taking place annually since 1990 in the sleepy German country town of Wacken, it attracts fans from all over the world.

A documentary to 'rediscover' the so called Sistine Chapel of Rock Art and to tell the story of the discovery of a cave and some paintings that astonished the world 138 years ago. Filming this documentary lead its director, José Luis López Linares, through many rock caves around the world, grasping information about the life of the Magdalenian man -who lived twenty thousand years ago- and about an art form, the paintings, that make Altamira "the Prado museum of prehistory".

Florida, 1994. Artist Mike Diana is convicted on an obscenity charge in the wake of an undercover police officer purchasing his limited edition zine Boiled Angel. Here is the very unusual story of what led to this First Amendment debacle happening for the first time in the United States.

The opening ceremony of the 2014 Winter Olympics took place at the Fisht Olympic Stadium in Sochi, Russia, on 7 February 2014. It began at 20:14 MSK (UTC+4) and finished at 23:02 MSK (UTC+4) This was the first Winter Olympics and first Olympic Games opening ceremony under the IOC presidency of Thomas Bach. The Games were officially opened by President Vladimir Putin. An audience of 40,000 were in attendance at the stadium with an estimated 2,000 performers. The ceremony touched upon various aspects of Russian history, and included tributes to famous Russians, such as Peter Tchaikovsky (1840–1893), Ukrainian-born Russian humourist, dramatist, and novelist Nikolai Gogol (1809–1852), filmmaker Sergei Eisenstein (1898–1948), ballet dancer Vaslav Nijinsky (1889–1950), and patron of arts, and founder of Ballet Russes, Sergei Diaghilev (1872–1929).

The gang embarks on a trade mission to India. Equipped with three old British cars and a range of uniquely British products, they set off on an epic road trip across one of the world's most fascinating and challenging countries.

The best kept secret of The Andes will be revealed… For some, he is the thinker that set in motion a spiritual and political movement that passed through borders and extended from Argentina to India. For other, he is the leader of a sect, a skillful manipulator and demagogue. For most, he is still a mystery. Through this feature length documentary film we try to tell the life and work of this extraordinary person, posing a disturbing question: Who is Silo?

Film showing the Viceregal party entering Delhi on lavishly decorated elephants, as part of the Coronation durbar of 1903.

PyeongChang 2018 Olympic Opening Ceremony: Peace in Motion

A short documentary covering the conclave and election of Pope Pius XII.

Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Madonna: the Queen of Pop. Every tune, dance step and decision over four decades has shaped today's contemporary musical landscape. Over a career that has lasted for decades, Madonna has ushered underground sounds and trends into the mainstream - she arrived at the dawn on the MTV music video era and utilised the medium to create a series of stylish, sexy clips that garnered her a reputation as a provocateur, whilst establishing the fledgling TV network as a hub for popular culture in the 1980s. Madonna is unstoppable, her impact on pop culture, undeniable, inspiring almost every other female act to come after her. Repeatedly re-inventing herself, she has changed the blueprint of how to be a successful woman in the music business in the process.

In the week when Hindus celebrate the holy festival of Diwali, this documentary tells the story of one of their faith's most sacred symbols - the swastika. For many, the swastika has become a symbol synonymous with the Nazis and fascism. But this film reveals the fascinating and complex history of an emblem that is, in fact, a religious symbol, with a sacred past. For the almost one billion Hindus around the world, the swastika lies at the heart of religious practices and beliefs, as an emblem of benevolence, luck and good fortune.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.