Africa, a trans woman dedicated to musical representation and comic entertainment on Facebook exhibits her daily life through live broadcasts, having success and a large influx of viewers. This while she is getting ready for her special program in honor of her best friend Vicenta de Loris, since a year has passed since her life was taken from her.
[Plot kept under wraps]
The documentary shows the world of the surrealist Canadian artist Alan Glass, his work, his home, his friends, his boxes, all his universe is presented through the point of view of art critics, artists and friends.
Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.
Derren Brown investigates the power of social compliance by persuading an unwitting member of the public into believing that they have pushed someone to their death.
Short combining fiction and documentary.
A batch of mushy sourdough. Two radioactive lizards. Three cans of Campbell’s tomato soup. When COVID-19 lockdowns began in 2020, people around the world began reporting more vivid dreams.
The life and legacy of Richard Holbrooke, whose singular career spans fifty years of American foreign policy, is told in this documentary from Holbrooke's eldest son David.
The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.
A girl is desperate to get to Washington D.C. to be with her lonesome brother, a wounded G.I. She persuades Bing Crosby to let her join his caravan.
Nearly 20 years since the end of the 1992-95 Bosnian war, there are people who still live in refugee Centers, usually located on the outskirts of cities and villages. In such centers what should have been temporary has become indefinite. Collecting medicinal herbs or scraps from nearby coal mines and raising children who were born as refugees in their own country are just some aspects of the monotonous daily life of the people in Ježevci.
A bike messenger, an electrician, a postal worker, a business man and an office worker make their way through an evening in New York City. A collection of eight large-scale moving images projected on the walls of New York's Museum of Modern Art.
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
Made for the NSPCC by the noted film director John Krish, They Took Us To The Sea follows a group of children taken by Inspectors of the NSPCC on an outing from Birmingham to Weston-Super Mare.
This film is a playful depiction of the festivities around the performance If All Trains of the World by Alex Mlynárčik on June 12, 1971. Deň radosti shows Hanák using the 'inter-genre' style of documentary which made his feature film Obrazy stareho sveta (1971) a masterpiece. Still photography, live action, interviews, old etchings and archive footage of old train journeys are skilfully blended to create a sympathetic and humorous portrait of the romance of an old steam train and the joy of artists and the general public in participating in this children's game for adults. Once again, the avant-garde is imaginatively used to eulogise over traditional values and the past. Deň radosti is important not just for the considerable pleasure it brings; it is the first of a series of films in which artists use film to document happenings. (http://www.ce-review.org/kinoeye/kinoeye3old.html)
Two tour guides take visitors on a promotional tour of Warner Bros.' studios.
Naughty Dog was founded in 1984. This in-depth documentary takes us on a journey from the beginning of the company to the household name we now know today.
Go behind the walls of The Walt Disney Studio as Walt invites you inside the world's most famous magic factory. It's not every day you'll learn tricks of the trade and satisfy your curiosity about what happens behind the scenes at the most creative bastion of family entertainment.
Short ethnographic documentray about Arba'een, a Shia Muslim religious observance
Through mordant social commentary and symbolic irony, Amiralay focuses this film on the chicken farming industry in the rural Syrian village of Sadad. He documents the burdened livelihoods of farmers and the economic policies of the government that encouraged industrial egg productions rather than artisanal trades, a switch that ultimately led to the plight of the Sadad's rural peasant class.