Cuba and the Cameraman

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

Who is Kim Yo-jong? In a context of maximum tensions between North Korea and the United States, Pierre Haski paints an unprecedented portrait of the little sister of Kim Jong-un, whose influence in Pyongyang is growing stronger day by day.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

Resistencia Cultural

Both a political narrative and a psychological reflection, this documentary explores the personal journey of a quarry worker’s son from Calvados who rose to become the last great figure of the French Communist Party. It delves into the logic that shaped his path and his lasting impact on France’s history.

Red Storm Rising” looks at the rise and fall of the American Communist Party, examining its political context, its leadership, its appeal to the American public, and why it never became mainstream.

History is Marching is a feature length documentary analysing the rise in tensions between major powers across the globe over the course of 2018. The film follows western history from 1945 to the present day, before looking at how capitalist society is today breaking down into the largest crisis in its history. Socialism or extinction?

Meet Andrew Lindy: a man with a camera and sex on his mind. Andrew is a New Yorker who travels the world to capture beauty for various freelance jobs. Andrew chases beauty but he longs for a connection. On an assignment for ELLE magazine, Andrew travels to Cuba and brings his camera and appetite for women with him. This is a look at the lack of sexual taboo in Cuba, as well as the financial difficulties that lead to prostitution in some Cubans, for the purpose of survival.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

In her own words, through personal video and diaries, Pamela Anderson shares the story of her rise to fame, rocky romances and infamous sex tape scandal.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

In a culture where cremation is unusual, cemeteries fill up rapidly. In Latin America and in some other places, to solve the problem, remains are frequently exhumed. In Cuba, two year after interment. Relatives are invited to observe the little ritual. The music of the film is drawn from requiems from different periods. Twelve pieces by seven different composers are quoted. Together, they make up a traditional requiem, although only a few passages from the "dies irae" have been included, and other sections are slightly abbreviated.

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

Two journalists born in the mid '80s decide to take a look back at how their country changed in the last 30 years since the fall of communism. The end product is a documentary containing footage of political events and historical milestones significant to Romania accompanied by a narrator's voice walking the viewer through the events, and also interviews with Romanian politicians and other influential public figures sharing their thoughts and their different views on those events.

In her feature documentary Seguridad, Newfoundland-based filmmaker Tamara Segura—once named “Cuba’s youngest soldier” in a militia publicity stunt—portrays her troubled relationship with her father in the context of the Cuban Revolution. When Segura accepts a scholarship to study film in Canada, the move offers crucial distance from her alcoholic father. After four years, she returns to Cuba hoping to make amends. But her father’s sudden death just days after her arrival forces Segura to explore his troubled past and the role Cuba’s highly militarized system played in his downfall. Through a series of deeply personal on-camera interviews with her immediate family, Segura unearths long-held secrets that ultimately tell a story of resilience and profound love between family members. Seguridad artfully weaves a lifetime’s worth of still photographs into its intimate narrative, which offers a rare glimpse into the inner lives of Cubans in the post-revolutionary era.

Short biographical documentary about the life of Alfred Florstedt and his life as a progressive communist from the Weimar Republic to his death in 1985.