A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
At a train station, a thief steals from a couple while the passengers are getting off the train. The boy runs after the thief and disappears. The girl, alone and lost, decides to go out into the street.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
She dances- The Dance of Death. She Sings- The song of Life. Scintillating, Fascinating, Desirable, Swifty She Weaves the Web of Destruction and then Regeneration. A Drama of Lights and Shadows.
Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
Vantyne Carter is a playboy living in luxury off his father. Vantyne's cousin Teddy, meanwhile, leads a fine upstanding life -- or at least he appears to, so he can curry favor with his wealthy uncle, Vantyne's father. One day, the senior Carter, fed up with his son's antics, decides to play a trick on both Vantyne and Teddy. The old man and his lawyer go off on a hunting trip, and then the lawyer returns with news that Carter was killed in an accident.
When her husband, an aspiring poet, gets his theatrical script rejected, Agnes Holck decides to take matters into her own hands. With the script in hand, she seeks out theatre director Viggo Reyner who takes an interest – not in the play, but in Agnes herself! However, his former favourite actress Lily Werner, doesn’t like being ignored. While the director is working on the seduction of Agnes, she cooks up some sinister revenge plans with fatal consequences. (Stumfilm.dk)
Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .
This movie revolves around Simon Erricson, a Grand Prix driver now turned car dealer, his wife Leonora, and the director of Simon's new television ad, Mark. Basically, Mark and Leonora have met in a previous life and are destined to be together, no matter what.