women Catcher

John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.

Giovanni Percolla lives in Catania surrounded by the attentive cares of his three sisters. He permanently acts like a Don Giovanni to hide his real poor "knowledge" of women. With his friend he moves also to Rome but women still continues to remain part of his fantasies. But Giovanni succeeded to build anyway a fame of "tombeur de femmes". One day he meets the real love of Maria Antonietta and decides to marry. Will things change?

The Stockholm publisher Adam, a wealthy gentleman with a favorable appearance, has completely undeservedly gained a reputation for being a great Don Juan. Women of all ages are drawn to him and give him their invitations. To be at peace, Adam escapes on his sailboat out into the archipelago and settles down on a small islet. But the ladies follow him and in their footsteps follow jealous fiancés and angry courting cavaliers.

Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.

What do women want? Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to see her; he fears the life of a husband. She has bought his debts and will remand him to jail for two years if he won't come to her. Meanwhile, an impostor is climbing the balconies of Seville claiming to be Don Juan.

Unlikely Lothario, the less-than-dashing crossed-eyed Ben Turpin, finds himself pursued by many beautiful ladies.

Spanish Lothario Don Juan, the legendary lover and adventurer returns to Spain following a scandal and comes to the aid of his queen, who is under threat from sinister forces.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."

If there was one thing that Don Juan de Marana learned from his father Don Jose, it was that women gave you three things - life, disillusionment and death. In his father's case it was his wife, Donna Isobel, and Donna Elvira who supplied the latter. Don Juan settled in Rome after attending the University of Pisa. Rome was run by the tyrannical Borgia family consisting of Caesar, Lucrezia and the Count Donati. Juan has his way with and was pursued by many women, but it is the one that he could not have that haunts him. It will be for her that he suffers the wrath of Borgia for ignoring Lucrezia and then killing Count Donati in a duel. For Adriana, they will both be condemned to death in the prison on the river Tigre.

Madrid, Spain, early thirties. The charming playboy Sergio Hernán is an unscrupulous womanizer who over the years has seduced and abandoned hundreds of women with the complicity of Oshidori, his cynical butler. However, his brief encounter with Elena Fortún, blonde, posh and a bit cheesy, unexpectedly leaves an indelible mark on his soul.

Film inspired on the character from "Don Juan Tenorio".

A wealthy man is responsible for his friend’s daughter, who has come to Athens to study. The girl messes up his life and soon falls in love with him. Although he behaves like a father to her, he is tempted and jealous and flirts with her in front of a charming classmate of her, who is also interested in the girl.

With Tschaikowsky's music on the sound track, this parody of long-hair, temperamental orchestra conductors and concert pianists is a long string of sight gags. The pianist has a new hair-do in every scene he is in, all designed to help him see the piano. One fat musician nonchalantly wanders in in the midst of the concert, takes off his hat, coat, muffler and gloves, unpacks his instrument, a triangle, hits one note, repacks, puts on his gloves, muffler, coat and hat, and goes home.

Olive is going shopping and drops Swee'pea off for Popeye to watch. Popeye carves a sailboat for him, but the tyke spots Popeye's battleship, and the puny toy boat will no longer do. He climbs aboard, and there's the expected mayhem. Notable sequences include a stint on the ship's cannon's control board, with Popeye caught on the barrel, then in the gears; also, at the end, Swee'Pea hitches a ride atop a torpedo just as Olive is returning and Popeye's out cold.

Bluto's in the Army; he tries to sneak off base, but can't. Popeye passes by, Bluto invites him in, then swaps uniforms. Popeye ends up in a tank drill.

When enemy planes attack the battleship he's serving on, Popeye fights back.

Popeye's on a battleship, on which he's banished to the boiler room. A Japanese sub comes along. Can Popeye save his ship from the enemy?

Popeye and Bluto agree that women are too much trouble, so they agree to swear off them, which lasts about five seconds, until Olive comes on board ship for a tour. The boys vie for her attention.

Bugs Bunny is wanted "dead or alive" by the Mounted Police, led by Elmer Fudd. The "Fresh Hare" episode was banned from television for almost 30 years because it was considered too racey for the time.

An old woman has a cat, a dog, and a canary. The cat and dog fight even worse than normally. Fed up, she tells them both off, then threatens to throw them both out if there's any more trouble.