The Crazy Ray

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

When hyper-assertive Jess trespasses into a vampire’s lair to thrill and satiate her loyal social media followers, the lifeblood of her being, she encounters the 2000-year-old vampire, Count Vicardi, whose millennial-spanning appetite for human blood and savagery knows no bounds.

A man tries to resist the seduction of Kuntilswara.

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.

For an imaginary friend, living an imaginary life, there's nothing worse than being forgotten.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

'When' discusses the filmmaker's experience with mental illness and how it has impacted her perception of the world around her. It mainly focuses on Anorexia Nervosa, Anxiety, and Depression. It aims to represent these ideas in an abstract but honest way - using CGI as a medium to create an impactful experience that will make the audience think about mental illness in a way they might not have before.

When Scott learns that his longtime cyber-buddy from Berlin is a gorgeous young woman, he and his friends embark on a trip across Europe.

To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.

An American man unwittingly gets involved with werewolves who have developed a serum allowing them to transform at will.

With kitschy sets and campy glamour, this short follows two astronauts attempting to overpower an alien spaceship... if the ship’s pleasure-based defences don’t overpower them first.

A young woman meets the ultimate terror, a supernatural reality-bending maniac with a very large collection of out of print VHS tapes.

A quirky high school girl has to learn that you can't fit friendship into a checkbox.

The main character is watching television. Suddenly he hears a thud coming from the kitchen. The man gets up from the sofa and approaches the source of the sound - a human finger is looking at him from the drain hole in the sink. Based on the story “The Moving Finger” by Stephen King.

In Ireland they say it takes just three alcoholics to keep a small bar running in a country town. But what if you’ve only got two?

Sippy takes Leander on a hike over the woods to a big tree to show Dre that she's responsible.

O nome dele é Tiago

Office boy Bill encounters a group of anarchists and inadvertently involves one of them in a scheme to open a safe. The "W.W.W.'s" stands for "We Won't Work", a comedic take on the real-life labor movement, the Industrial Workers of the World (IWW, or "Wobblies").