Frida och hennes vän

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

Consumed by jealousy, a woman takes an extreme step and undergoes surgery for a new face. Although her lover of 2 years misses her, he falls in love with the new face, not knowing it's the same woman.

At the cusp of the founding of Joseon Dynasty, an envoy from China is delivering Emperor’s Ming’s Royal Seal. But nature in the form of a giant whale intervenes and swallows the royal seal. When a generous reward is offered to whomever can retrieve the royal seal from the belly of the whale, the race is on. A group of mountain bandits led by Jang Sa Jung and a group of pirates led by Yeo Wol go after the lost treasure, but who will get to to it first?

An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.

Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Joseph Vilsmaier Two-part TV movie focuses on the tragic events surrounding the sinking of the Wilhelm Gustloff, a German passenger ship, at the end of World War II. On 30 January 1945, Captain Hellmuth Kehding was in charge of the ship, evacuating wounded soldiers and civilians trapped by the Red Army. Soon after leaving the harbor of Danzig, it was hit by three torpedoes from the Soviet submarine and sank in less than an hour.

Four-part german limited serial about the baden revolution in 1848 and 1849.

When Naomi, a young refugee from Nazi-occupied Paris, moves into Alan Silverman’s building in New York, he does his best to avoid her. But despite Naomi's strange behavior and the language barrier, they slowly develop a deep and touching friendship.

A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A popular high school band is scouted by a Tokyo-based record company. The band is involved in a car accident, however, shattering many hopes. The band receives a demo tape from a girl who lives on the navy base. They are reinvigorated.

James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.

A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger.

Safari is an American, found footage thriller film, set in South African wild, where animals and poachers rule the land. Two worlds collide when Mbali, a young zulu girl, meets an American tourist group who have come to explore and go on safari in South Africa. Things take a wrong turn after the group enter uncharted hunting grounds where they are forced to face the untamed wild.

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?