Cheap One Costs

A tramp heads home drunk on a Saturday night, finding it hard to make it to his room. When he finally does, he cannot make it to his bed.

In "Menschen Untereinander" ("The Folk Upstairs"), director Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig (Lydia Potechina) from the rear building gives the newly-arrived Frau Kaminski (Käthe Haack), the janitor's wife, a lively initiation into the tenants and their peculiarities.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

Die Puppe vom Lunapark

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Aspiring rock star and broken-hearted bartender at a burlesque club takes over the stage and sings his feelings to a perplexed audience. Through his awkward performances, he gets over his breakup and opens up to someone new.

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

World's first 3-D feature film. The film is considered lost.

A clerk in a failing antiques store gets a big idea on how to move the merchandise so that he can save the store and possibly win the girl.

A research scientist becomes the world's first pregnant man in order to test a drug he and a colleague have designed for expectant women. To carry out the trial, he has an embryo implant, believing that he will only carry the baby for three months – hardly expecting to face the prospect of giving birth.

Stripteasers, baggy-pants comedians, exotic dancers, comedy sketches-- all part of a great tribute to a living art, hosted by Ann Corio, the queen of Burlesque.

Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.

A shell-shocked black soldier is cared for by a miner and his daughter when he wanders into their camp, and makes a fresh start in life with the aid of the American Legion.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

A group of people gather at a Copenhagen suburban home to break all the limitations and to bring out the 'inner idiot' in themselves.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Roy Conover has just returned to his village home from college.

Mrs. Grant, a widow, has one son, Donald. He is not really a bad fellow, but is full of devilment and always getting himself into mischief. One day, he visits the village inn and follows this up by pinning a caricature of Elder McWirther on that gentleman's gate. It is decided by the deacons to expel him from the church.

Captain Barnacle receives a letter telling him that Mr. Markham, a South African whose life he saved some years ago, has died, leaving him a legacy in money and some property and jewels in South Africa. The will stipulates that he shall visit the property in person.