An ingenious, witty essay on making filmed, photographed, drawn, painted, and Xeroxed images move. Reverberating between multi-media versions of the same events, playing with disjunctions between figure and ground, HEAD is a 'trickfilm' meditation on portraiture; the animator, as actor, lives through his drawings, which in turn become actors who influence his own self-image. An insider's diary on the process of creation, HEAD is a brilliant encyclopedic exploration of the circular relationship between the animator and his creation, of the nature of animated illusion itself.
Late 19th century Japan: a studio photographer who always captures his clients’ best smile. One day he tries to coax a smile out of a little girl, but… A nostalgic tale of a relationship that transcends wars and disasters.
A young woman's diary depicts her layered, poetic, inner efforts to deal with the world and overcome self-doubt.
A fairy tale about how the girl, Lola, became friends with the star.
Home-video footage of infants playing transforms into an experimental display of rotoscope animation.
A little girl is born with a tail that expresses her emotions. As a child, her parents celebrate their daughter's uniqueness and her tail inspires magical make-believe adventures with her friends. As she grows up, however, the young woman faces pressure to fit in, and must choose between conformity and self-expression. An animated short film starring Oscar-winner Cate Blanchett, using a striking collage of 3D animated characters and hand-made miniature sets.
Hasan Everywhere is an animation which broaches the subtlety of a relationship between a man and a woman who bear the passports of enemies, to sympathetically deal with the subjects of death, grief, lost opportunity; but mostly it seeks to demonstrate the possibility of friendship triumphing over the deepest of rifts between two people. In that regard it is most unusual among the standard fare of animated shorts.
Ashiaraiyashiki no Juunin-tachi
King George, unlike most kings, spends most of his time in the bathtub, playing with his favorite toy - a rubber ducky. But George isn't satisfied with just his rubber ducky - he wants all the duckies! The king learns a lesson in humility from his brave soldier Thomas, whose ducky George had stolen. Eventually, George faces his sin and learns that it's always important to share with others.
A teenager is induced by his elderly grandfather to make origami figures to relax. As soon as he makes a dragon, a magic origamied world opens up to him.
Rain Dance is a four-minute animation produced by Hill while an undergraduate student at Harvard University from 1988-1992; the exact date of the production is currently unidentified. Although little known, the film is representative of both Hill’s do-it yourself approach – employing character cutouts, strong, yet playful colors, and a narrative and technical simplicity rich with charm – and her jovial demeanor and inquisitive approach to life. The film is dedicated to Elijah Aron, Hill’s boyfriend throughout college. Aron remained close friends with Helen and her husband Paul Gailiunas, and was the godfather of their son Francis.
Inspired by a poem.
A man visits the world's smallest fair, where he learns a valuable lesson about life and poison cotton candy.
A whimsical lesson in love from Helen Hill.
Helen Hill remembers her grandfather just before his death (in part) by a metaphor involving him as a rapidly diminishing mouse.
Madame Winger wants you to make a film about something you love. She shows you her favorite low budget filmmaking techniques, from cameraless animation to processing your own film in a bathtub. Filmed in 16 mm.
A tribute to Halifax.
Alma always felt distant from her roots. Through separations and growth, Alma will learn to connect with her shadow and thus feel connected to her identity.
Schoolboy Hinata has a big crush on his classmate Shigure, but is too shy to tell her. On the day Shigure is leaving, Hinata flies off on the wings of a bird chasing after her to tell how he feels!
Paper sample books discarded and dumpstered by long-gone businesses undergo a series of sequential experiments in pattern, rhythm, colour and text(ure). A call and response of flickering and lingering, this catalogue of catalogues remembers a tactile economy.