Hisss

A feature adaptation of Masha Ko’s Sundance short of the same name. When a virtual home assistant speaker picks up the strange noise a man has heard in his house, he realizes that it may not be a symptom of dementia.

An impulsive middle schooler playing a game of hide-and-seek soon realizes something sinister is hunting him and his friends.

An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.

The story revolves around a humble, divorced Indian woman named Ananya and amidst her mundane-routine life, she finds herself on a secret intelligence duty in Pakistan. But her love for Urdu literature will have her falling in love that will eventually put them in a tug of war with each other.

In the hilly state of Champa Nagar, the magnificent castle of Rai Saheb Motisagar called "MOTI MAHAL" stands there even today in all its regal glory. Our story springs from this historical palace whose ghastly memories make people shiver with fear even now. After Rai Saheb's sudden demise the rumour got currency that his restless spirit still hovered about the palace. Though nobody had any proof in support of this, but subsequent incidents gave substance to it. Just two days after his death, as his maid servant was bringing his only Son SUDHIR to Champa Nagar by train the child disappeared on the way. Hardly could the shock of this news subside, when one stormy night his nephew Jugal and sister's son Shekhar came together to "MOTI MAHAL" to hear the WILL from Vakil. But Lo! the Vakil himself vanished and his dead body was picked up in the palace-compound, sometime later.

Marie is a Manhattan vampire thirsting for acceptance and blood, not necessarily in that order. Apparently a renaissance woman, she sings the blues, poses for a picture, and rides through Times Square in a horse drawn carriage. Ariel is a fashion photographer attracted to the beguiling vampire. Attraction escalates into obsession, and before long locate the elusive creature of the night.

Sophia, a new high school student, tries to make friends with Barbara, who tells her that “she kills giants,” protecting this way her hometown and its inhabitants, who do not understand her strange behavior.

A man who has forgotten his past (Raahi) meets a woman (Swara) who'd rather forget hers. He combines a great power for self-destruction and penitence with a desperate need for dignity. She stoically faces all the odds life throws at her, guarding herself with her devotion to God, ready to unflinchingly brave anything that may come at her.

A woman battles to survive alone in a post-apocalyptic London wasteland.

The heat of a meteor crashing into the lake incubates a prehistoric egg, which grows into a plesiosaur-like monster that terrifies the community.

It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Inspector Abhay Rathod is a honest and diligent Police Inspector employed with Bombay Police. He was assigned the case of racketeer and criminal don, Shekhar Mohan. Abhay successfully entraps and arrests him, and has him sentenced to a long jail term. Years later, Abhay is now the Assistant Commissioner of Police; is married, and has a son named Chirag; and Shekhar Mohan has completed his jail term and is looking to seek vengeance against Abhay. He does so by kidnapping Chirag and taking him along with him. He object is not to seek any ransom money, but attempt to separate the child from his parents, as well as attempt to make a place in his heart. Shekhar finds out that Chirag loves racing and takes him on various race courses where the child is thrilled to watch fast sport cars, and soon starts a friendship with "Uncle" Shekhar. But with Abhay and the police closing in fast, will Shekhar and Chirag be able to maintain their friendship?

In prehistoric times, the muscular Yor saves his cave-babe from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland.

When a space probe crash-lands on a far-flung Pacific atoll, the craft's alien stowaways decide to take over their new world one creature at a time. Soon, the parasitic life forms latch onto three indigenous critters -- a squid, a crab and a snapping turtle -- and transform them into colossal mutant monsters.

Deep in the jungles a mad scientist is using the natives' voodoo for his experiments to create an indestructible being to serve his will. When a party of gold seekers stumbles upon his village, the scientist realizes that Marilyn the expedition's evil leader is the perfect subject for his work.

Mysterious experiments are going on at the Biogen 4 Research Labs. And now, those experiments...are loose! Monsters...creatures...hungry for flesh and blood.

Mrs. Rada the Goat tells her five children to behave while she goes to the fair, and under no circumstances open the door to anyone except her. But the Big Bad Wolf, Kostika (Titi) Suru, and his nephew, the Little Bad Wolf, along with friends Rassul the Lynx and Petrika the Donkey has made a plan to kidnap the children while their mother is away. And when the eldest child, Matei, decides to disobey his mother and visit the fair himself, things start to go badly for the goat-family.

Four actors compete for the role of Jesus - a black revolutionary, a bisexual hippie, a Jew, and a feminist. When all four are rejected, they hit the road on bad-ass motorcycles, bound for glory in New York City. But when a run-in with a gang of Elvises ends in murder, they find themselves taken prisoner in a little town called Jackville - where folk don't take kindly to blasphemers. The Jesuses fall prey to an evil conspiracy that can only lead to the Apocalypse.

The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.