Antoni Gaudi: God's Architect

A Berlin street corner is slowly changing: an aging supermarket turns into a construction site and finally a new building. People restock shelves, demolish walls, take breaks and count money. Those who work here participate in the making and unmaking of the place. How does it shape the conditions of their labor? Between supermarket aisles, construction scaffolding and exposed concrete, different versions begin to overlap. Repetitions appear like echoes between worlds, both playful and eerie.

The camera goes back through the alleys and alleys of the community, leading the viewer to compare, with simultaneous shots of 76 and 96, the little or almost nothing that was accomplished, the neglect of the State, the abandonment over the 20 years. Finishing with a virtual image of the colored facades, as part of the proposed urbanization.

Making a documentary on Le Corbusier is not easy, because he is undoubtedly the architect most familiar to the general public but also the most unknown. If most people know his great achievements, such as the Cité radieuse of Marseille, the pavilions of the Cité universitaire de Paris or the Tourettes convent, many are unaware of his works in Moscow, Rio de Janeiro or Chandigarh. Roy Oppenheim pays a vibrant tribute to Corbusier, dismissing the criticisms and darker facets of the character. It presents the career of this pioneering architect, as well as his thinking, the essential principle of which was aimed at the development of human beings and the balance of society. Light, space and greenery are integrated into his large futuristic cities, because according to him the eyes of the inhabitants should be drawn into the distance and not into their neighbor's bathroom.

Katedrála zázrakov

Ladies of good families and social standing come to have their afternoon tea with their daughters who will someday follow in the same tradition. A charming portrait of a time that is slowly disappearing.

A turn of the 20th Century office block at Portage and Main. What was once Winnipeg's most prestigious commercial address has become a catch-all for the marginalized and history's leftovers. A snapshot of a fading era, now gone for good.

A man with a perspective like no other on the planet. The leading structural engineer of the World Trade Center oversees its construction, haunted by its fall ever since. A guru in high-rise design. Driven by his values as a pacifist and activist and the woman engineer who emboldened, expanded and ultimately saved the man she loved. About fulfillment, fragility, and a fighting spirit.

Art historian and filmmaker Sundaram Tagore travels in the footsteps of Louis Kahn to discover how the famed American architect built a daringly modern and monumental parliamentary complex in war-torn Bangladesh.

A portrait of the Canadian architect Luc Durand (1929 – 2018), who, after studying with Eugène Beaudoin in Switzerland, began his career in India. This period would be decisive for his career and would influence many of the projects he designed in Quebec, including the Quebec Pavilion at Expo 67, Place Dupuis, and the Olympic Village for the 1976 Olympic Games. Durand then decided to return to his roots in 2012, traveling from Montreal to Geneva, from New Delhi to Chandigarh. A portrait of an eminent figure in Quebec architecture.

Big Time gets up close with Danish architectural prodigy Bjarke Ingels over a period of six years while he is struggling to complete his largest projects yet, the Manhattan skyscraper W57 and Two World Trade Center.

A rare, in-depth artistic journey into the work of internationally acclaimed Swiss architect Mario Botta. The film explores Botta's ever growing curiosity and reflections on the contractions of society through his sacred spaces, a subject very dear to him. Why does globalized society feel the urge to build such spaces? The directors traveled to China, South Korea, Israel, Italy, and Switzerland to discover a passionate and tireless artist, his buildings, and part of his creative process. Botta is one of the few architects who has built places of prayer for three main monotheistic religions. After building many churches, chapels, and synagogue, he is now working on a mosque in China. Through his thoughts and his interaction with artists, colleagues, clients, and family members, the viewers have a glimpse of the man behind the Architect.

Documentary about a utopian housing project in Rio de Janeiro by architect Affonso Eduardo Reidy.

Documentary about the quick development of the south of Rotterdam in the 2000s and 2010s.

Documentary about Gert Wingårdh.

Documentary two men united in creating a social and architectural experiment unique in its kind.

Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.

The fifth project of the Living Architectures series, Inside Piano is composed of three films on three symbolic buildings of Renzo Piano's career. A visit throughout the prototype-building of the Centre Pompidou. An immersion in the soundproof world of a submarine floating in the depths of the Parisian underground. A journey aboard a luminous magic carpet of a highly sophisticated architectural machine. A humorous, caustic and quirky point of view.

After filming the construction site of the Berlitz Palace (2nd), Pierre Chenal shows us in contrast other contemporary architectural achievements which, using the same technical processes, do not sacrifice the structure of iron and concrete for decoration. A documentary to the glory of the modern designs of Mallet-Stevens and Le Corbusier.

Kroměříž

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)