Antoni Gaudi: God's Architect

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

The architectural plans for Berlin from 1938 are used as an example to illustrate the fascist claim to power and its aesthetic effect. The basis for this was the "General Building Inspection" under the direction of Albert Speer, whose enormous projects are illustrated by planning models and archive photographs.

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

A Berlin street corner is slowly changing: an aging supermarket turns into a construction site and finally a new building. People restock shelves, demolish walls, take breaks and count money. Those who work here participate in the making and unmaking of the place. How does it shape the conditions of their labor? Between supermarket aisles, construction scaffolding and exposed concrete, different versions begin to overlap. Repetitions appear like echoes between worlds, both playful and eerie.

Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.

Big Time gets up close with Danish architectural prodigy Bjarke Ingels over a period of six years while he is struggling to complete his largest projects yet, the Manhattan skyscraper W57 and Two World Trade Center.

A man with a perspective like no other on the planet. The leading structural engineer of the World Trade Center oversees its construction, haunted by its fall ever since. A guru in high-rise design. Driven by his values as a pacifist and activist and the woman engineer who emboldened, expanded and ultimately saved the man she loved. About fulfillment, fragility, and a fighting spirit.

Art historian and filmmaker Sundaram Tagore travels in the footsteps of Louis Kahn to discover how the famed American architect built a daringly modern and monumental parliamentary complex in war-torn Bangladesh.

Frank Lloyd Wright’s Modern Masterpiece, Unity Temple is an homage to America’s most renowned architect. The film pulls back the curtain on Wright’s first public commission in the early 1900’s to the painstaking efforts to restore the 100 year old building back to its original beauty. The dedicated team of historians, craftspeople, members of the Unitarian congregation and Unity Temple Restoration Foundation reveal the history of one of Wright’s most innovative buildings that merged his love of architecture with his own spiritual values. The film intersperses the architect’s philosophies with quotes narrated by Brad Pitt.

Fernand Pouillon, du point du jour à l’éclipse

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

In the heart of Paris, Île de la Cité once featured one of the most majestic palaces of medieval times: The Palais des Rois. Built in the early Middle Ages, only two parts of this grandiose palace remain: The Sainte-Chapelle, the largest and most daring palatial chapel of the time; and the Conciergerie, a medieval room of impressive dimensions, known for having served as a prison and housing the jails of Marie-Antoinette.

Jugaad is a Hindi word that can be translated as "innovative or effective solution that bends the rules". It refers to the extreme capacity developed by Mumbai's inhabitants to adapt and get around any type of constraint or obstacle posed by the city's urban structure. In a relatively small piece of land where 21 million people live today, the inhabitants of Mumbai demonstrate great creativity when it comes to managing the spaces (for sale, for prayer, for traffic) and the flows that cross them every day. Without using language, Hong Kong artist Chak Hin Leung brings together in this video a dozen unique situations in which people, animals, vehicles and natural elements intermingle and brush up against each other, without ever colliding.

The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.

A Stone Story

His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.

After filming the construction site of the Berlitz Palace (2nd), Pierre Chenal shows us in contrast other contemporary architectural achievements which, using the same technical processes, do not sacrifice the structure of iron and concrete for decoration. A documentary to the glory of the modern designs of Mallet-Stevens and Le Corbusier.

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

Housing a Dream follows Dutch visionary artist Joost Conijn as he builds his dream home—an unconventional, rotating house that turns with the help of a red bicycle mounted to its floor. By pedaling, Joost can orient the house to follow the sunlight, reflecting his work's delicate balance between function and poetry. Through his process, the film explores the philosophies shaped by a lifetime of craftsmanship, revealing how building a home can become a profound act of artistic creation.

A docu-art film about Kyiv and the contemporary problems of the capital. The film raises the issue of the dilapidated state of Kyiv's old buildings and the search for effective mechanisms to preserve the city's architectural heritage.