Big Time gets up close with Danish architectural prodigy Bjarke Ingels over a period of six years while he is struggling to complete his largest projects yet, the Manhattan skyscraper W57 and Two World Trade Center.
One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding caused by the massive migration of people to cities. (Lynne Fernie, HotDocs)
Documentary on the work of Frank Lloyd Wright's architecture.
On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.
“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.
Francesco Borromini, génie du baroque romain
Documentary about 4 large architectural landmarks that projected Portugal abroad.
In Buffalo, N.Y., some of the greatest works of American architecture relay a remarkable story that resonates with the universal themes of home, family and friendship. The charismatic Frank Lloyd Wright, destined to become America’s greatest architect, called Darwin Martin, an unassuming, wealthy businessman from Buffalo, his “best friend.” Frank Lloyd Wright’s Buffalo reveals how Martin’s three decades of support fostered Wright’s career and led to some of the architect’s renowned masterpieces—the Larkin Administration Building, the Darwin Martin Estates and the Martin summer home, Graycliff—all in Buffalo, New York.
A long-term resident of Casa Milà, the last house designed by Antonio Gaudí, reflects on the experience of living inside a work of art.
This documentary film goes beyond the walls and hedges of Mid-Century homes that were built in neighborhoods like Twin Palms, Vista Las Palmas and Racquet Club Estates. The film features interviews with noted architects James Harlan, author of The Alexanders. Watch as home owners in various Palm Springs neighborhoods speak directly to the pride that goes beyond home ownership as they tour us through their homes. They gladly accept that they are the stewards of these mid-Century monuments that they live with everyday.
Dear Maestro
A film on the social movements upholding the right to live in the city of Lisbon at a time when the struggle for urban space builds up as the result of the expansion of financial capitalism, which concentrates wealth in the hands of a few and increases social inequality. A film on those who challenge the conversion of the city into merchandise and disobey injustice by empowering those who seek a place to live.
2005-2008. Video. In 2005 San Francisco real estate magnate Angelo Sangiacomo commissioned Strickland to make a movie that would chronicle final stages in the construction of his new house in Pebble Beach, CA. Amidst the spectacle of the building site, the videographer sought to portray a design project of operatic proportions that involved a sometimes dissonant cast of characters and took more than 6 years to unfold. The owners hoped that this video record might lend future visibility to a structure’s bones and soul that otherwise vanish from sight by the time building is completed.
Under Dorchester Square in Montreal lies the cemetery where 55,000 people were buried in the 19th century. The square is still at the heart of social conflicts in Quebec, 150 years later.
Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
5000 years ago the ancient Elamites established a glorious civilization that lasted about three millennia. They created marvelous works in architecture and craftsmanship. These works of art depict the lifestyle, thoughts, and beliefs of the Elamites.
Invisible Water Layers discusses and questions the origins of Teresina and its urbanization over the years. The film deals with the move from the capital of Piauí to Oeiras in 1852, the ideas of modernity at the time and the problems that resulted from this process in people and in the city. Along with the idea of progress of the railway, factories and steamboats, many families and workers were relocated from the central areas of the city to more distant parts. The traditional ways of life of these people coexisted, not free from conflict, with the will of civility of the local elites. With 4 interviewees, including architects, historians and researchers, the film also brings a rich set of images from different places in the city, such as the Center, the Parnaíba riverbank and the Poty Velho neighborhood.
Uncommon Sense: The Life and Architecture of Laurie Baker" explores both the personal and the professional storyline of the architect. Baker's philosophy was more a way of living than just a way of building. He didn't advocate simplicity while designing, and then lead a lavish life.