A documentary expose on the first Gulf War.
A hand-filmed 32-minute documentary of the Skinny Puppy's 1988 'Head Trauma' tour of Europe by Dwayne Rudolph Goettel. Edited by Nivek Ogre in 2005.
An autobiographical, partly animated, documentary about a filmmaker striving for a better future as a survivor of childhood sexual assault.
Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.
In a dry unforgiving part of Australia, a man and his wife have set up home and live stock to make their living. Just when it seemed the drought and lack of finances were getting to be too much, things change: BP is looking for a suitable area to attempt the world land speed record.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
Quando se sonha tão grande, a realidade aprende
The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.
Billy Dean Anderson was a prolific criminal and outsider artist who lived in a Tennessee cave for almost five years while on the run from the FBI. The cave became his home, spiritual refuge, and art studio. Billy’s decades-spanning criminal career included multiple imprisonments, three shootouts with the law, three prison escapes, and culminated with an addition to the FBI’s Ten Most Wanted list. After his tumultuous and conflicted life, did Billy's art bring some form of redemption?
Documentary about the abstract filmmaker.
1954 - Panic erupts when the citizens of Bellingham, Washington notice strange cracks in their car windshields. What is causing this mysterious phenomenon?
A gruesome look into the infamous and seemingly neverending 1991 Vizconde murder case in the Philippines where a woman, her teen daughter, and a 6-year-old were all viciously stabbed to death while the husband was away in America on business.
A historical account of the postal service through the centuries, from early communication to the late 1960s.
An ex crime boss reflects on his past while grooming his proteges for the family business when a brush with death changes everything.
A child and a teenager, Souhil, wait for their mother in the car while she prostitutes herself. Souhil gets out of the car and goes to see the bar owner, his mother's pimp, to offer him a deal... Short film made for the 2018 Nikon film festival on the theme "I am a gift".
Documentary about four Chinese lesbian women who seek contract marriages with gay men, and form of their lesbian and gay community and fulfill their desires.
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A short silent documentary on the making of the 1931 Abel Gance directed film, "La Fin du Monde".