Documentary about the creative process of photographer Lua Morales, produced by the studio Bad Chinchilla.
Short film against the oppression of women. At first, differences in education are presented and then how the relationship between women and men looks like in the professional world.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.
The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…
In this short film's four segments, "Bowery Beautician", "Chutes", "Home Brew", and "Girth Control", the viewer is shown how certain conveniences and inventions aid the user.
The line between justice and revenge blurs when a devastated family uses social media to track down the people who killed 24-year-old Crystal Theobald.
Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
Short film directed by Walter Knoop
Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
East German short film
Javier and Andrés get involved in a crime; together they'll face the doubts that will take them into making a decision that will change their lives forever.
Περιπτώσεις του ΟΧΙ
Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.
In 1957, Charles and Ray designed the Solar Do-Nothing Machine for Alcoa, the Aluminum Company of America. True to the Eameses’ belief that toys are not as innocent as they appear, the machine was one of the first uses of solar power to produce electricity. In the 1990s, Eames Demetrios discovered unedited footage of the wonderful machine. He cut it together to produce a new film that shares a bit of its flavor for future generations to enjoy.
Sitting down with co-creators Terry Dunn Meurer and John Cosgrove, along with long-time actors, producers, and directors of the show, this documentary special pulls back the curtain with behind-the-scenes stories from research and casting to solving mysteries soon after episodes aired. With never-before-seen outtakes of beloved host Robert Stack and a look into some fan-favorite moments. This program honors one of television's most enduring and recognizable shows as well as the fans who were integral to its success.
Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.