A Place to Be

A college freshman returns to Los Angeles for Christmas at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.

Frozen Heart visually tells the tragic and true story of a young loving gay couple accompanied by impressive images and strong contrasts.

A young man learns that the size of one's heart matters more than the size of his endowment.

Kosuke Mikado, who works at a bookstore, has been suffering from a peculiar constitution that ghosts can see from an early age. One day, Kosuke was invited by a exorcist, Rihito Hiyakawa, who came to the bookstore and decided to work with him. The two men, who were requested by the detective Hanzawa to investigate the serial murder case that occurred a year ago, eventually found a body, but the body was cursed. While searching for the truth, they often hear the voice of the murderer who committed suicide...

Kenedi is in a huge debt after building a house for his family. He finds himself searching for any kind of work to support himself, for as little as 10 EUR per day, a scarce amount to help him relief his debt. Ultimately, Kenedi decides to look for money in sex business. Initially offering his services to older ladies and widows, he expands his 'business' to offer sex to wealthy men. When he finds out about new liberal European laws on gay marriages, Kenedi sees prospects in looking for a "marriage material", to renew his search for a legal status in EU. The opportunity arises during EXIT Music Festival, when he meets Max, a guy from Munich. But will their promising relationship bring the solution to Kenedi's problems?

After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.

Staged in a loft on Lafayette Street, across from the Public Theatre, the piece used the film adaptation of Kyle Onstott’s 1957 novel, “Mandingo,” as its primary script. Sitting on cushions on the floor, audience members had to crane their necks to see the proceedings. Enter Moishe Pipik (the amazing Tony Torn), a long-nosed Jewish character in a huckster’s checked suit. When he pisses in a pot of earth, a money tree springs up. Moishe has a friend, Blaster, a black teen-age junkie and drug dealer. They’re refugees, in a sense—racist and anti-Semitic parodies of Jewish liberal identification with blackness. Sometimes they hang out as if they were on a talk show, their chatter intercut with all that “Mandingo” mess, Mandingo’s black phallus looming in the minds of the white people who constructed their dream of an antebellum South on black backs.

Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.

In a heated fight over questions of promiscuity, a terrible misunderstanding leaves two best friends, 'sisters' estranged for many years. A decade later, the two 'sisters' are reunited by a tragic event. The 'sisters' reminisce over the past while talking about the future. Though they are still very fond of each other, both have changed and a palpable tension can be felt over dreams unrealized and disappointments in life. Knowing their days together are numbered, the pair set out on a few adventures hoping to gain lost opportunities and make happy memories. Along the way, they make important discoveries about life, love, each other, friendship, and family. Promises are kept and a long lost dream comes true.

Orient is engaged to be married and all is going well until his male ex-lover helps him buy an African statuette as a wedding gift. Can the statuette be trying to bring the boys back together?

The story of Lucas and how he helps others as an angel. This is an innovative, educational drama that resembles a documentary.

Every day Paul crosses a canal that separates the Amsterdam city center from the north side, where his lover Christiaan lives and waits for him. A dear routine for both - until one day Paul meets Claire, who starts seducing him into her very own universe, the Hotel Paradijs. Claire makes Paul the audience of her own play: a play where the roles are reversed and into which Paul is undeniably drawn.

Nineteen-year-old Ari confronts both his sexuality and his Greek family. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he's facing problems with his traditional Greek parents, who have no clue about his sexual activities.

Set against a gloriously filmed backdrop of the distinctly jaded charm of mid-90s Saigon, the lives of two men intertwine as they are both bound by traditions and honor. One to his mafia family, the other to the traveling troupe that performs elaborate classic operas. Yet they have much more in common than either wants to admit.

When young Baptiste meets Cookie Kunty, a young Parisian drag queen, he feels compelled to start a new photographic project.

“The first rockstar”, “Crazy, evil and dangerous”. This is how Rupert Everett introduces us to the British romantic poet Lord Byron. Between 1809 and 1810, his daring and eccentric personality led him on a journey from Portugal to Istanbul, through high society gatherings, Turkish baths and brothels. He leaps from one adventure to another, passing from one lover to another, causing scandal with his wild behavior. Ironic and entertaining narrator Rupert Everett accurately recounts Byron’s feats in this episodic, on-the-road period piece produced by Channel 4.

After Sam, a penniless Afro-German singer, discovers he's HIV positive, he gets utterly drunk, spends a few miserable days, but promptly falls (back) in love. Amidst a crumbling former East Berlin (its bulidings, cars, people & culture), Sam develops a "family" for the new millenium, for the new generation of post-drug cocktail AIDS victims. The fragile "family" he forms includes his on-again-off-again boyfriend Rainer, and his best friend Bastl with his latest fling, Mike. Like the old, schmaltzy East German songs which Sam is recording, the sweet innocence of the characters struggle to prevail, the misfortunes of the characters nothwithstanding.

A young priest crusades against organized crime in his Naples neighbourhood but falls in love with a 13-year-old boy. It's the chance the gangsters were waiting for to get rid of the thorn in their side. Will they be able to force the boy to accuse the priest of sexual harassment and have his reputation destroyed?

It’s the ‘80s once again, new wave angst and genderbending fashion are all the rage, but new kid at school, Chance Marquis, is trying to find new ways to stand out. Being an odd and somewhat awkward teenager makes him the target of the school bully. To deal with this dilemma, Chance turns to the opposite ends of the high school spectrum for help. On one side is the flamboyant drag queen and at the other, the varsity jock, Levi Sparks with whom Chance develops a unique friendship.

Boy ('the helper') tells the story of an invisible member of our society, an illegal Filipino cleaner. He has no name. Moving continuously from one location to the other, he is living between being seen and being invisible, between his life with his boyfriend, an erotic dancer, and his role as financial provider of his family back home. All this changes when his boyfriend auditions for a dance-company and one of his employers commits suicide. A charming photographer shows interest in him. He wants him as a model for a photo series.