It's been 548 days that A hasn't felt anything, that she's been absent from her life. One night, J appears and takes her with her, trying by all means to revive her heart. Stranger is a musical fable, the story of a return to life.
A tape is found holding footage of a group of teenagers who, 40 years prior, explored a not so abandoned house.
A duo of guys capture and brutally torture a young girl to the point of piercing her retina.
"II: AN UNSPOKEN NARRATIVE" tells the story about one guy going through life alone while learning the concept of balance in an unconventional way expressed by the form of movement and storytelling. We hope to take you on a journey within a story of life experiences revolving around balance where two different concepts make you realize your worst moment to make your great moments greater. Every part of this film is up for interpretation upon your lives.
A world-weary corporate drone experiences an overload of terrifying proportions.
To save the life of her dying son, Liz must venture to the desolate surface and face the monsters that drove mankind below.
In this musical short, a man tries to woo the manager of a dance troupe.
An overworked and arrogant lawyer describes the terrifying incident he has just experienced on his drive home from the office... but his night may not be over yet.
No one is welcomed in the world of a little girl and a man until a stranger rings the doorbell. As astonishing things happen right in the face, the girl freaks out.
Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.
Seen through the voyeurism of glass pane, this is the story of 1960's coiffed etiquette gone awry. Dancing bodies reveal a meaty subtext as all protocol gets unhinged.
Noir comme neige
Psychedelic Hanna-Barbera anti-drug PSA, ca. 1970. Created by Art Babbitt - he'd developed Goofy during his time at Disney.
Filmed only a few months after Tatsumi Hijikata’s first explosive public butoh performance, “Gisei” features Hijikata and members of his Asbestos Hall Troupe in a brutal allegory of a closed society. Shot by noted Japanese film scholar Donald Richie, “Gisei” still conveys the shock that Japanese audiences in 1959 must have felt at the birth of Hijikata's ankoku butoh, or "dance of darkness". Richie met Hijikata through mutual friend Yukio Mishima. They decided to collaborate on a film about segregation. Richie memorialized the film in his diary: “It is more than ever about the death of an individual, a distinct kind of human sacrifice.”
Two kids go hunting for ghosts to help their dad run a burger cafe. An epic sequel to Hardcastle's "T is For Toilet" segment of the horror anthology film "The ABCs of Death", it takes place 12 years after the accident.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
Yo Creo En El Ruido
A humoristic turbo drama. Floyd, after being dumped by his girlfriend, suffers from psychological problems manifested as a little demon who disrupts his everyday life. Floyd has to go through great depths before he can continue his life.
Everyone is capable of foul things. When Rodger Flank is invited to play a drinking game with a tight group of friends from college, things start to go terribly wrong. Told out of sequence, and from both sides of the fence, Manhunt is a story of revenge, psychosis, and childhood’s end.