It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Author David Marshall is sandbagged by holdup men and loses his memory. He finds his way to a bookshop run by his friend Ladd, who takes him in with the hope of helping him to regain his memory. David there meets Hope Masterson and falls in love with her. Bill Dorgan, a gangster in love with Hope, kidnaps her, and David comes to her rescue. David is hit again on the head, and this time he regains his memory. He still recognizes Hope, however, and they look forward to a long and happy life together.
Margaret has given up her stage career to marry inventor Jerry Benson. Jerry fails to impress oil executive William Graves with his idea, but Margaret has better luck when she catches Graves' attention and she both makes the sale and becomes the object of Graves' obsession. Profits from the invention make the Bensons wealthy; however Graves schemes to steal Margaret from Jerry by swindling them out of their money and getting Broadway floozy Gloria to break up their marriage.
Leah Kleschna has been a thief all her life. However, an encounter with a man she intends to rob makes her question her life's course. The film is lost.
A hobo takes revenge to a miller who didn't give him something to eat.
The protagonist recalls her past while her daughter is going to leave her forever. Years ago, the protagonist came from a province to a big city to get rid of poverty. Marriage to a gangster didn’t make her happy. She fell in love with her husband’s accomplice and soon got pregnant. Murder seems the only solution to the lovers…
Press agent "Inky" Ames, in a quandary to publicize showgirl Anitra St. Clair, convinces her to paint a birthmark on her shoulder and pose as millionaire mine owner Theodore True's long-lost daughter.
Das Dreimäderlhaus
Withstanding misery, a young man who seemed to live like an ordinary person suffers and tries to seek help from the closest person named friend.
To satisfy her controlling mother and secure both of their futures, a daughter hesitantly enters a loveless marriage to a wealthy businessman. Years later, after she has uncovered and overcome her mother's deceptions and manipulations, her newfound happiness is threatened with the appearance of a mysterious "man from the sea."
Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash-- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.
A traumatized man returning home from war discovers that his wife has slipped into the underclass.
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.
Refusing to join his family in their new social life when Henry Dillingham suddenly becomes wealthy, Donald Dillingham causes even greater disapproval by marrying chorus girl Ardell Kendall. Learning that famous sculptor Gustaf Borgstrom wishes to use Ardell as model, the Dillinghams suddenly welcome Donald and Ardell to their estate. Donald surrenders to both the jazzy pleasures and the attentions of Maybelle Wescott, but Ardell remains aloof and in order to pay off Maybelle threatens Mr. Dillingham with exposure of his infatuation with a chorus girl.
After the death of her brother, "Tommy" Carlton makes the acquaintance of a neighbor, Harold Graypon, who invites her to a party. Tommy, who is a bit of a hoyden, attends the party in overalls and shocks the guests. Tommy is later ejected from her home and takes refuge in a shack in the mountains, where she makes rustic furniture for a living. Despite the interference of Grace, Tommy and Harold finds happiness with each other.
Millionaire John Walton hates the world and although he is suffering a nervous breakdown, he still manages to make the lives of his nurses miserable. They keep leaving, but one, Eveline Roland finds out what is eating away at him from his butler, Lew.
Young Janet Osborn finds herself stuck in a loveless marriage, her only source of pleasure being her daughter. Janet has always dreamed of a career on the stage, but never had the chance. One day she meets Geoffrey Allen, a theatrical agent, and decides to try her luck at becoming an actress. However, when her husband Mark finds out, he orders her out of the house and keeps their daughter, Marcia. Moreover, her acting career sputters to a halt, and Geoffrey Allen takes advantage of her situation to make her his mistress. Years later she finds out that Marcia has become an actress--and that she, too, has become involved with Geoffrey.
A BFI collection of 7 short films from the USA, England and Italy scored for Piano, Guitar and String Quartet.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.