Slumbering Tones

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

Amitiés sincères

A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.

Young actress Bonnie May finds work in a private play given at Mrs. Baron’s mansion, where she endears herself to all, especially Victor Baron, the invalid son who has written the play. He begs her to stay on to help him write another play, despite the reluctance of his mother.

貌斬りKAOKIRI～戯曲「スタニスラフスキー探偵団」より

A viceroy, a nobleman and a bullfighter court a comedy-troupe actress in 18th-century Peru.

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

25th Anniversary of Love and Courage: Fire Emblem Festival was an orchestral concert which was part of Intelligent Systems' celebration of the twenty-fifth anniversary of the Fire Emblem series. The concert was performed by the Tokyo Philharmonic Orchestra at the Tokyo Dome City Hall in July 2015. This DVD collects the performances and drama sequences from the celebration event with the original voice cast as well as staff members from Nintendo and Intelligent Systems.

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.

A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.

A struggling actress is cast in her last off (off) Broadway show - a modern take on “A Christmas Carol” - before giving up her dream and moving home. Instead, she finds romance with her director and a renewed passion for her craft and the city. But when the historic theater loses its lease and the show is set to fold, she and her cast mates are need of a Christmas miracle.

TV drama set in the modern settings of an artistic couple from well-off background, between their working and sleeping room, as well as Croatian national theater.

In the artist colony Rocket Perelman ten people strive to live their version of freedom and independence - everybody for themselves and all together. But that's hard work, since the joined theatre production puts the groups' idealism to a hard test.

A lesbian couple experiences microaggressions at a workshop upstate. Claire and her fiancée Monica embark from the boisterous streets of New York City to the Berkshires, where Claire has been invited to stage her latest work at a rural theater company. While Claire's actors question her ability to write heterosexual dialogue, Monica encounters her own source of micro-aggression in the form of Mutty, the groundskeeper.

Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.

The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...

A spirited heiress wishing to break into theatre on her own merit arrives at a boardinghouse where aspiring young actresses and showgirls are brought together through their cynicism and disappointments.

The journalist Don Davis becomes involved in a murder case, where Chrystal Malone is part of it. Davis follows Chrystal to China. When Chrystal arrives in China, Davis has to save her from an execution.