When finishing a drawing, a man will face a real nightmare.
A mixed-up mountain boy kidnaps a pretty college student.
A young man attempts to complete a drawing as the world around him spirals into the nightmarish and surreal.
Do you remember? Last summer, Illinois was confronting a series of bizarre murders. At each crime scene, police found a sketch of a house which turned out to be the location of the next murder. But detectives couldn't identify the houses in time, and the murders continued, becoming more violent until someone recognizes the latest sketch as the old Wilson farm up in Monroe. As we open, a policewoman named Crawley is being interviewed by an unseen authority figure. She tries to remember what exactly happened at the Wilson farm. She explains she was patrolling in the area and went there quickly, intending to find out what the owner knew and get him out. Instead. . . what happened was. . . if only she could remember. . .
An experimental piece that obscures the lines between nostalgia and the surreal.
After his nightly jog, Ramiro decides to take a shortcut on his way home. But he soon discovers that the shortest way is not always the best.
While going for a casual jog on bright yet cloudy morning, a young girl discovers the dead body of a teenager. But when she recognizes the face of the cadaver, she comes face to face with her own dark secrets.
A woman who is struggling with an overwhelming desire to consume human flesh brought on by a fascination with 70s Cannibal Movies struggles with her desires as she tries to continue her everyday life and control her inner hunger.
Unable to deal with her mother's death, Samantha turns to her drawings for solace. She discovers she is able to bring her drawings to life and attempts to bring her mother back. In doing so, she finds out the truth behind her mother's death.
Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.
Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own.
When a young monk gets creative in the scriptorium, things take an unexpected turn as his doodles come to life!
Melbhattan. Melbhattan is part homage, part pastiche of the opening sequence of Woody Allen's seminal 1979 film Manhattan. Melbhattan features more than sixty black and white tableaux of Melbourne each composed to mimic images in Allen's film.
A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.
Jesse Aarons trained all summer to become the fastest runner in school. So he's very upset when newcomer Leslie Burke outruns him and everyone else. Despite this and other differences including that she's rich, he's poor, she's a city girl, and he's a country boy the two become fast friends. Together they create Terabithia, a land of monsters, trolls, ogres, and giants where they rule as king and queen.
Five years after jilting his pregnant fiancée on their wedding day, out-of-shape Dennis decides to run a marathon to win her back.
A police chief, about to retire, pledges to help a woman find her daughter's killer.
One winter morning, a father and his son go for a jog. Along the way, we understand that a gap has grown between Marco, a Parisian who has come to spend a few days in the countryside, and Jean-Claude, a retired policeman who doesn't talk much. Their love is present, but barriers and modesty hold them back from expressing it.
A romantic comedy about a man, a woman and a football team. Based on Nick Hornby's best selling autobiographical novel, Fever Pitch. English teacher Paul Ashworth believes his long standing obsession with Arsenal serves him well. But then he meets Sarah. Their relationship develops in tandem with Arsenal's roller coaster fortunes in the football league, both leading to a nail biting climax.
Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.