BABYMETAL's "Live at Tokyo Dome: Red Night" concert was a monumental event in the band's career, showcasing their impressive rise in the music world. Held at the iconic Tokyo Dome, this performance drew a massive audience, highlighting the group's immense popularity in Japan and internationally. The "Red Night" theme was reflected in the stage design and lighting, creating a dramatic and visually captivating setting. Su-metal, Moametal, and their backing band, the Kami Band, performed a dynamic setlist that included hits like "Karate" and "Road of Resistance," delivering a powerful blend of vocal prowess, intense metal riffs, and synchronized dance moves. This concert not only demonstrated BABYMETAL's unique genre fusion but also cemented their status as a major live act in the global music scene.
The "Live at Tokyo Dome: Black Night" concert was a monumental finale to BABYMETAL's World Tour 2016, held at one of Japan's most iconic venues. This performance, part of a two-night event, showcased BABYMETAL at the peak of their theatrical and musical prowess. Su-metal, Moametal, and Yuimetal performed a diverse setlist that spanned their entire repertoire, including epic renditions of songs like "Karate" and "THE ONE." The massive stage production, complete with elaborate lighting, pyrotechnics, and moving platforms, created a visually stunning spectacle that matched the intensity of their music. The Black Night concert was not only a display of BABYMETAL's dynamic ability to fuse metal and pop but also a celebration of their global success and cultural impact, drawing thousands of fans from around the world.
LEGEND "1999" YUIMETAL & MOAMETAL Birthday Festival (LEGEND "1999" YUIMETAL & MOAMETAL 聖誕祭; LEGEND "1999" YUIMETAL & MOAMETAL Seitansai) was a concert held on June 30, 2013 at NHK Hall in Tokyo, Japan. This show celebrated the 14th birthdays of YUIMETAL and MOAMETAL. The concert started with BABYBONES, followed by the appearance of the KAMI BAND beginning with NO RAIN, NO RAINBOW. At the concert's end, it was announced that the LEGEND "1997" SU-METAL Birthday Festival would be held on December 21st.
LEGEND "1997" SU-METAL Birthday Festival (LEGEND "1997" SU-METAL 聖誕祭; LEGEND "1997" SU-METAL Seitansai) was a concert held on December 21, 2013 at Makuhari Messe in Chiba, Japan. This show celebrated SU-METAL's 16th birthday and marked BABYMETAL's first solo arena live performance.
The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."
Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.
This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.
Rahul and Anu Verghese meet on the same day, while both are held by the police on charges of creating a disturbance, and running away respectively. They meet again, and love happens. Rahul helps Anu to be independent, and seek a job. Then Anu is discovered by a talent agent to be a model, which she accepts. Rahul wants to marry Anu, but first must establish himself.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
A young dancer trying to make it in London during World War II discovers that people like her singing voice, too. Although she's at first reluctant to sing, she finally does and becomes a star. She hooks up with a young musician who composes classical music and turns his nose up at this vulgar "popular" music, but she believes he can be a success at it and sets out to turn him around.
Patriotic musical romance. After her school is closed, teacher Ann tries to join up. However, she is persuaded to organise a nursery for a munitions factory.
A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate.
One day Karen, Kristel and Kathleen receive an invitation from a king and queen from a distant fairytale kingdom. They ask if they want to sing on their daughter's birthday. But the princess behaves like a spoiled brat, because an evil wizard placed a curse on her, freezing her heart in the process. In an exciting race against time, K3 try to solve the mystery surrounding the little princess. But this turns out not to be as easy as they thought. Because even though they encounter all kinds of well-known fairytale characters, they do not receive any help. Will the brave singers manage to lift the curse?
A pair of siblings make the most of a school snow day, while trying to avoid their nemesis, the Snowplowman.
In the fantasy state of Olivia, the robber chief Gasparone is up to all sorts of mischief. But Prefect Nasoni is not only worried about him, his son Sindulfo is also causing him headaches. He is supposed to marry Countess Ambrat, but loves Ita, the niece of Massaccio, a somewhat obscure existence. Then the elegant Erminio appears, and the countess makes eyes at him. Confusion after confusion until Massaccio is unmasked as Gasparone. Erminio turns out to be a civil servant who was set on Gasparone and now gets his beautiful countess. Sindulfo is the last to embrace his Ita.
Rulia, a local hood who finds Ishq-e-Khuda , after he is ‘privileged’ by the prayer of a Sufi Dervish. In a parallel unconnected arc Ashan Khan – playing Ahsan, an engineer from Karachi – falls for Iqra, while Kulsoom, Iqra’s best childhood-bud, falls for Ahsan.
Opening with the first day of rehearsals of the London production of "Sweeney Todd", this ninety-minute documentary focuses on the rehearsal process with the musical's director, composer and actors.
A newly expanded version of the original Grace documentary, featuring new interviews with band members and producer Andy Wallace as well as unseen footage of Jeff and the band at Bearsville Studio recording Grace. Included in Grace (Legacy Edition), a newly remastered version of the album.