Short film about the blossoming affection of an upper-class schoolboy for a girl from a different class. The film, shot by Verhoeven at the same school he attended in The Hague, is loosely based on the description of the unrequited love of Anton Wachter in Simon Vestdijk's novel Back to Ina Damman, one of the parts in the Anton Wachter cycle.
Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.
A superstitious guy, Bien, seeks all sorts of “divine” signs that will determine his decision of asking the girl of his dreams out on a date. The fear of rejection swallows him whole, making him justify his cause to seek for more unfathomable signs. But when each sign he asks for materializes, he soon learns that he has to be careful with what he wishes.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Atasco
A high-speed drive through the streets of Paris.
A man and a woman lead a complicated love life, filled with erotic tension and despotic passion. Their son is an involuntary witness to all this, cooped up despondently in his room banging his head against the wall. To get away from the situation, he escapes into a virtual world. But when the man finds himself inopportunely stuck out on the balcony of the apartment, a burglar gets into the building. At the same time, in a neighbouring apartment, spies are getting ready to listen in on a group of scientists.
Scott Pilgrim vs. The Animation is an animated short based on Bryan Lee O'Malley's "Scott Pilgrim" franchise.
The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.
Buster and Phyllis endure a number of outdoor adventures trying to prove to each other their survival skills. The balloon, which lands Buster in the wilderness, later proves useful as their canoe is about go over a waterfall.
A young woman tries to go to Paris, but her garden and the whole village is flooded with water.
Donald is courting Daisy (called Donna, here in her first appearance) Duck in Mexico. He arrives on a burro, which doesn't get along at all well with her; she convinces him to buy a car. They head through the desert, but the car breaks down, and throws Donald out, then takes off on its own with Daisy trapped inside the rumble seat. The car hits a rock, throwing Daisy into a mud puddle, to Donald's excessive amusement. Daisy pulls a unicycle from her purse, and rides off.
The squirrel Scrat is going to meet a mate in Ice Age 3: Dawn of the Dinosaurs, the latest opus of Ice Age. Her name is Scratte, and she is a female saber-tooth squirrel, who can be more intelligent than Scrat, but the Love between the two could blossom between them. There is still an a nutty case of contention though, which is caused by a nut!
Garfield, Odie and Jon go vacationing on a tropical island along with the High Rama Lama of rock and roll, a princess and her cat - and a rumbling volcano.
When a man looks at the photo strip he just took of himself in a photo booth, he cannot believe what he sees.
Mariana and Martin have similar lives: the same loneliness, the same neurosis, even the same apartment, but they can’t meet. Their only link is also what separates them: the sidewall.
A man and a woman, talking over their relationship.
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
Do you have experiences in your life that you write off to the indiscretions of youth? When you’re in the heyday of your youth, do you intentionally do things that are reckless because you know you can? A group of friends look back on their past, some with fear, some with regrets, as they think back to the mistakes and choices they made when they were young and wonder if they would do it all over again in the same way if they got another chance. “Bye, Old Times,” also known as “Bye, Old Days” and “Be, Jiu Shi Guang,” is a 2013 Chinese film directed by Li Xin. It stars Tang Ji Liang, Liu Cheng Rui, Qiang Yu and Hua Jiao.
A secretly gay Latino barber quietly falls in love with a handsome stranger over the course of a haircut during a hot and sweaty summer afternoon in a macho Brooklyn hood.