Bunny Yeager, 'The world's prettiest photographer', started out as a beauty contest winner and professional photographer's model in the 50's. She became one of America's top ten glamour photographers during the 50's and 60's. This pictorial shows 100 of her most glamorous models, featuring Bettie Page, and includes photographs and original footage of Bunny with the girls behind the scenes.
A dazzling journey through time via the remarkable images of National Geographic photographer Frans Lanting and his epic "LIFE" project, which presents a stunning interpretation of life on Earth, from the Big Bang through the present.
Witness cycling’s top photographers in action at the world’s most beautiful bike race, as we go behind the lens with Ashley and Jered Gruber, Luca Bettini, and Zac Williams at the 2023 Giro d’Italia. Filmed during the race’s three epic final stages, learn how the photographers chase the action, doing their best to capture the pain and glory of the riders, and document the beauty of the mountains and towns across Italy. This is a thrill-a-minute, front row seat to the stunning finale of a race that will live long in the memory – and in the photographers’ beautiful imagery.
An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.
The NFL has staged 48 Super Bowls. Four photographers have taken pictures at every one of them. In KEEPERS OF THE STREAK, director Neil Leifer tells the story of this exclusive club, made up of John Biever, Walter Iooss, Mickey Palmer and Tony Tomsic. With their cameras, they have captured football's biggest game of the year for almost five decades.
A one-frame long experimental short film from Yugoslavia.
Helga Paris, Fotografin
During the 2012 season, two Montana High School teams compete in 6-man football, a smaller version of American football with increasing popularity in rural communities. It's pure football, for the sake of football, played by boys of all sizes and abilities, for themselves and for the communities who know them oh so well. No television timeouts. No place to sit. Six Man Football.
Objectif femmes
In 2011, photographer Tanja Hollander decided to visit each one of her Facebook "friends" (all 626 of them) in their homes and make formal portraits of each of them. Armed with her cameras and iPhone, Tanja traveled throughout the U.S. and around the world for 5 years, meticulously documenting her experiences in real time and creating a historical narrative, both visual and written, along the way. Her project is an exploration of friendships, the effects of social networks, the intimate places we call home and the communities in which we live.
An experimental film about narrations of two journal photos from Iran's revolution in 1979.
'Hard Twist' is a documentary about the life of the famous western photographer, Barbara Van Cleve. Barbara is a fifth-generation Montanan with a century of family history going back to the early 1900s, when her family settled in the Crazy Mountain area. Upon their arrival in Montana, the Van Cleves began operating a dude ranch, where Barbara grew up and spent most of her summers as an adult. Barbara's story offers insight into a hardy western ranching lifestyle many have not experienced, with striking archive footage of early Montana. This film is not only about Barbara's life, but tells a story of how her family history was intertwined with the changing landscape of the West.
"Nocturnes at the Golden Gate" - invites us to discover the world and work of Irina Ionesco, a unique figure of contemporary photography. Since the early 70's, she photographer has been working in her apartment near the Porte Dorée, in Paris, principally with the female body. Scraps from the past and elements of the present come together to evoke the coherence and multiple meanings of Irina's baroque universe : the solitude of her Romanian childhood ; her youthful debut in the music hall ; her relationships with her models and her way of building images. Little by little, her work is illuminated and takes on different vibrations, though we have never left the apartment : her workspace, temple and museum.
The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.
“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.
The film tells the story of the intimate and unprecedented encounter between the photojournalists of the Magnum Agency and the world of cinema. The confrontation of two seemingly opposite worlds – fiction and reality. For 70 years their paths crossed: a family of photographers, amongst them the biggest names in photography, and a family of actors and filmmakers who helped write the history of cinema, from John Huston to Marilyn Monroe to Orson Welles, Kate Winslet and Sean Penn.
How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.
‘Under the Weight of a Waking Dream’ is Zefier's debut swan song to the ending year. Comprised of poetry and endless enumerations is a diaristic film chronicling the lessons and contradictions found throughout the human experience.
A photographer and a painter are challenged to swap mediums, to create an abstract self-portrait exploring unfamiliar techniques.
Bombarded by thousands of images every day, are we still able to truly see them, especially those of conflict and its aftermath? Helen Doyle takes us on a quest for the meaning of images and discovers a vast palette of contrasting images which shock and compel.