The Balkans cradles Europe's last wild rivers and supports abundant wildlife and healthy, intact ecosystems. These rivers are "The Undamaged" – clean, pristine, and undammed. With over 2,700 small and large hydro power plants planned or under construction in the Balkans, corruption and greed are destroying the last free-flowing rivers of Europe. Follow the Balkan Rivers Tour, a rowdy crew of whitewater kayakers, filmers, photographers and friends who decided to stand up for the rivers, travelling from Slovenia to Albania for 36 days, kayaking 23 rivers in 6 countries to protest the dams and show the world the secret wild rivers of the Balkans. The film honours everyday people and local activists who are fighting to defend rivers and aims to spread the word of the plight of these rivers, showing a new style of nature conservation that is fun, energetic and effective.
A film commissioned by architects Vitangelo Ardito and Nicoletta Faccitondo (Polytechnic University of Bari) as a companion piece to the book 'Umberto Riva. Perciò è sempre una sorpresa - 19 conversazioni'.
Gray Matters explores the long, fascinating life and complicated career of architect and designer Eileen Gray, whose uncompromising vision defined and defied the practice of modernism in decoration, design and architecture. Making a reputation with her traditional lacquer work in the first decade of the 20th century, she became a critically acclaimed and sought after designer and decorator in the next before reinventing herself as an architect, a field in which she laboured largely in obscurity. Apart from the accolades that greeted her first building –persistently and perversely credited to her mentor–her pioneering work was done quietly, privately and to her own specifications. But she lived long enough (98) to be re-discovered and acclaimed. Today, with her work commanding extraordinary prices and attention, her legacy, like its creator, remains elusive, contested and compelling.
Schaub and Schindelm’s documentary follows two Swiss star architects, Jacques Herzog and Pierre de Meuron, on two very different projects: the national stadium for the Olympic summer games in Peking 2008 and a city area in the provincial town of Jinhua, China.
World-famous architect Louis Kahn (Exeter Library, Salk Institute, Bangladeshi Capitol Building) had two illegitimate children with two different women outside of his marriage. Son Nathaniel always hoped that someday his father would come and live with him and his mother, but Kahn never left his wife. Instead, Kahn was found dead in a men's room in Penn Station when Nathaniel was only 11.
No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.
Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.
Examines the practical philosophy, the achievements and frustrations of one of New Zealand's most lively and innovative architects, Ian Athfield. The film provides a portrait of the architect and his work both in New Zealand and his project to design housing for 140,000 squatters from the Tondo area of Manila in the Philippines, for which Athfield won an international competition in 1975.
The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.
The award-winning feature-length documentary about the revolutionary and brilliant Chicago architect Louis Sullivan (1856-1924). Known by historians as the 'father of the skyscraper' and creator of the iconic phrase 'form follows function,' Sullivan was on top of his profession in 1890. Then a series of setbacks plunged him into destitute obscurity from which he never recovered. Yet his persistent belief in the power of his ideas created some of America's most beautiful buildings ever created, and inspired Sullivan's protégé, Frank Lloyd Wright, to fulfill his own dream of a truly American style of architecture.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
Tadao Ando, a self-taught architect, proposes an international architecture that he believes can only be conceived by someone Japanese. His architecture mixes Piranesian drama with contemplative spaces in urban complexes, residences and chapels. This film presents the formative years of his impressive career before he embarked on projects in Europe and the United States.
Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.
Aalto is one of the greatest names in modern architecture and design, Aino and Alvar Aalto gave their signature to iconic Scandic design. The first cinematic portrait of their life love story is an enchanting journey of their creations and influence around the world.
A personal and political biography of the Octopus, or the Prague National Library project, but also a biography of the last years of the life of the author of this design, Jan Kaplický, who wrote in his diary in 1998: to win the competition and have one love. With this entry, read by Eliška Kaplicky at the beginning of the film, it is as if the world-class Czech architect wrote not only the "script" for the final decade of his life, but also for a film that follows the dramatic social story of creative imagination and the intimate relationship between a man and a woman.
A poet among architects and an innovator among educators, John Hejduk converses with poet David Shapiro at The Cooper Union about the mystery and spirit of architecture. His own sketches and structures are shown
In the aftermath of the fire that struck Notre-Dame de Paris in 2019, the cathedral is in danger of collapsing. A race against time begins for a hundred men and women who will face danger, the unknown, and toxic lead dust for a year to save this world heritage site. Architects, stonemasons, carpenters, crane operators, scaffolders, rope access technicians, archaeologists: this unique project brings together rare skills. With rare enthusiasm and cohesion, they will achieve numerous technical and human feats. This film recounts the spectacular and moving adventure of these builders fighting to save Notre Dame.
In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.
Notre-Dame Résurrection