Call Me Malcolm is an amazing story of the human spirit and God's spirit, and the liberating struggle to realize and express with confidence the marvelous gift of one's truest sense of self. As Malcolm shares his own story and through the stories of others we meet, Call Me Malcolm offers us a glimpse into the real lives of real people who are transgender. But it is only a glimpse. There are many stories to be told and Malcolm helps us make connections to our own stories, encouraging us to share them. That can seem daunting in a culture which has done more to heap shame on persons who identify as transgender. The good news of Malcolm's story is the way in which shame and fear are overcome by grace, compassion and knowledge. Viewers cannot help but come to a deeper understanding of faith, love, and gender identity, and by doing so, arrive at a deeper understanding of their own journey.
A powerful film about the struggle to maintain Pacific Islander culture and values within the Westernized society of modern day Hawaiʻi. It is told through the lens of an extraordinary Native Hawaiian who is both a proud and confident māhū, or transgender woman, and an honored and respected kumu, or teacher, cultural practitioner, and community leader.
What happens when your child comes out to you? In this feature documentary, parents of lesbian, gay, bisexual and trans-gender individuals in Turkey intimately share their experiences with the viewer, as they redefine what it means to be parents in this conservative society.
Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.
In Tennessee, and across the South, transgender people like Graham and Zeke face a daily struggle in their pursuit of equal protection under the law. From so-called 'bathroom bills' to laws restricting their ability to change their sex on legal documents, not to mention the personal and familial challenges as you transition, life is not easy nor fair for trans folk.
Jo is a 40-year-old transgender man addicted to cocaine. This addiction prevents him from achieving his transition in good conditions, and from maintaining fulfilling relationships. He is trying to quit drugs and to make a fresh start.
Honey at the Top is a film about the Sengwer forest people of the Cherangani Hills, Kenya, being evicted from their ancestral land in the name of conservation. The film centres around father of two Elias as he works with his community to try and hold onto their culture and resist the evictions. It is an intimate portrait of this community at a crossroads, facing international pressure from organisations like the World Bank, a corrupt Kenya Forest Service who are burning their houses and attempts to turn the forest into a commodity through carbon offsetting schemes.
A personal transgender documentary. From the time of coming out to the time of having sex reassignment surgery.
Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.
A daily life in Korogocho, Kenya, one of the world’s poorest slums.
Seven transgender and gender nonconforming individuals share their unique experiences with Silas Howard.
After the death of his parents, a gay man comes back to his village to live in his small world of happiness, dreams, sadness and loneliness.
MIEZI KUMI (TEN MONTHS) is a short documentary of the love between Zacharia Mutai, his family and the last two northern white rhinos, which he has to take care of for ten months in a year.
Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
Using the latest advances in camera technology, NGC penetrates the nocturnal hunting behaviors of the lion. Often asleep during the day, at night these iconic cats become active predators. With thermal imaging and infrared technology, see how experienced lions use the night to their advantage while stalking their prey
This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.
Guest speakers from "Women In Motion" Conference, Vancouver, B.C. 1975.
At birth, every parent expects the famous announcement: “It’s a girl!” or “It’s a boy!”. And if, instead, the doctors declared :”We don’t know“? Through the history of Gabriel, Sophie, Justin and their families, we discover the taboo of intersexuality, formerly called”hermaphrodite”.
Maude is 17 years old. At birth, she shows signs that make it impossible to identify her gender. The doctors decide she's a girl. Today, she's preparing for a surgical procedure that will transform her into a young man named Justin.