Hinter schwedischen Gardinen

When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.

Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.

A rascally nearing-retirement man juggles a workers' compensation suit while secretly working for his nemesis and flirting with his nemesis' young wife. As his estranged son returns, he faces new family responsibilities, while a banker plots to evict him from his home.

The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.

Reckless playboy Bob Merrick crashes his speedboat, requiring emergency attention from the town’s only resuscitator while a local hero, Dr. Phillips, dies waiting for the life-saving device. Merrick then tries to right his wrongs with the doctor’s widow, Helen, falling in love with her in the process.

Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.

A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.

Murali (Balakrishna) is pursued by the brothers of Peddaraju (Sayaji Shinde), who is cooling his heels in jail. We are not told why they are look after him. Murali is the loving brother of a handicapped woman, whom he carries to the college everyday. Of course, Murali has fun escapades with a girl in his neighborhood (Sada). And slowly but surely we are let into the past of Murali and as to what happened between him and the arch villain. It had something to do with Peddaraju's sister (Tanushree Dutta).

Kristina and Sture is married and has a little baby boy, Olle. Sture is an architect and while he is struggling with his business, his wife Kristina gets lonesome and starts to get take an interest in Sture's Norwegian architect colleague, Arne Ranck.

A 16-year-old girl visits her gay half-brother and ends up seducing his boyfriend, thus wreaking havoc on all of their lives.

A rumor spreads through a small desert town that a girl has been raped. A respected veteran tries to stop the girl's cousin, a soldier in vacation, from taking the law into his own hands.

The film is an adaptation of the novel Samar Habib by Ismåeel Walieddin. author of Female Homosexuality in the Middle East: Histories and Representations. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.

Lola's dream of escaping her father's Sunnyside motel seems closer to reality when a young stranger checks in.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

A woman struggles to interact with her family and find her place in society after spending fifteen years in prison.

Ray and Ken, two hit men, are in Bruges, Belgium, waiting for their next mission. While they are there they have time to think and discuss their previous assignment. When the mission is revealed to Ken, it is not what he expected.

Last Call is a fictional account of the final days of exuberant and notorious Welsh poet Dylan Thomas as he sets out on a final poetry tour of New York. Desperate for money and with a wife and three children dependent on him, Thomas accepts a job believing it is beneath him. He spends his time in the city drinking at the White Horse Tavern and becoming increasingly ill between poetry readings. Everything comes to a head when he goes on a bender so extreme he cannot perform the last lecture, makes a scene at the bar, and has his final drink while ruminating on life, death, and the concept of love.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.

Two women, Tokiko, a ceramic artist, and her apprentice, Haruka, are in a relationship. The couple is not an intrinsic lesbian, but they fell for each other by chance.