Gulag

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).

This FitzPatrick Miniature visits the Union of Soviet Socialist Republics (USSR), the largest geographically unbroken political unit in the world, covering one-sixth of the world's land mass.

The film tells the story of a small family, consisting of a grandfather retired from the army, and his stripper grandson. It is not just a story of a relationship, but rather a reflection of entire Belarus and the post-Soviet, pro-Russian world. Moreover, it's a universally-recognized reflection of a generation gap.

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

1972, the height of the cold war era, Canada vs USSR. 8 games of hard fought Hockey that would go onto change how Hockey is seen and played the world over. This made for TV documentary follows the 'Summit Series', an international Hockey event that would not only engulf the nations involved, but the entire world.

Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.

The story of the unconditional, no-holds-barred tour of America by Soviet Premier Nikita Khrushchev, leader of World Communism and America's arch nemesis, during 13 sun-filled days in the fall of 1959.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

This program is an overview of the life and career of Joseph Stalin. It concentrates on describing and attempting to explain the origins of the policy of “terror” instigated by Stalin as leader of the USSR. There are interviews with surviving family members and experts all of whom attempt some sort of personality “analysis” of the dictator to explain his behaviour and policies. Another question that is examined is, given his record of “terror”, why was he so popular? Why did so many Russians mourn his death in 1953? This could be an overview and introduction to a study of both Stalin and USSR in the post revolution period.

Stalin’s statue in the garden of a nunnery provokes discussion – plenty of it – in a small Georgian village. Some of the locals used to know Stalin personally because he visited the village several times when he was young, and they continue to see him as a benign ruler from the good old days rather than the brutal dictator he was. Whenever an episode of purge shook the Soviet Union’s republics, they hid the statue in the woods. The church also plays an important role in people’s lives. All in all, the film reveals a fundamental conflict in Georgian society.

Choosing the fate of a rock musician was similar to being a dissident. From the 60s, the Soviet Union tried to discourage and restrict the expansion of rock music by any means. They called it the “rotten fruit of degraded capitalism, demoralizing the minds of Soviet youth”. Despite that, rock music broke the wall – made a hole in the Iron Curtain – and gained the hearts and minds of tens of thousands of young people.Rock musicians were on the frontline of the rebellion against the Soviet regime. Despite censorship, they managed to deliver, in a hidden, roundabout way through lyrics and music, the spirit of nonconformity and freedom of choice to their audience. A film about Latvian and Soviet rock pioneers, their lives and destinies.

Understanding The Georgian Republic

Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.

Historic Russian battles to repel invaders serve as prelude to the story of events that redrew the map of Eastern Europe and parts of Asia in the 20th century. Following the turmoil of the Bolshevik Revolution, Communist Russia faces the venom of Nazi aggression. 1940's film footage reveals the harsh reality of total war, as the Red Army and Soviet civilians alike confront a brutal and tenacious enemy. The following decades are darkened by tensions between the USSR and foreign powers, and violent measures taken to silence voices of dissent. Finally, the Soviet people's yearning for a freer society leads to accelerating reforms and the ultimate dissolution of the USSR.

Historic Russian battles to repel invaders serve as prelude to the story of events that redrew the map of Eastern Europe and parts of Asia in the 20th century. Following the turmoil of the Bolshevik Revolution, Communist Russia faces the venom of Nazi aggression. 1940's film footage reveals the harsh reality of total war, as the Red Army and Soviet civilians alike confront a brutal and tenacious enemy. The following decades are darkened by tensions between the USSR and foreign powers, and violent measures taken to silence voices of dissent. Finally, the Soviet people's yearning for a freer society leads to accelerating reforms and the ultimate dissolution of the USSR.

Monstrum

In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.

Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.

Documentary film about the first St. Petersburg music club TaMtAm. It existed since 1991 upon 1996 and was held by Vsevolod Gakkel, ex-cellist of "Аквариум". The concept was modelled on cult NY club CBGB-OMFUG. Despite its controversial history this is the place where a new generation of Russian punk music was discovered.

This excellent and breathtaking documentary is the result of a long study on the Gulag to try to understand why more than 60 million Soviet citizens were sent to the camps from 1918 to 1956, how such a massive confinement could take place during two generations. From the Solovki in the north-west to the Kolima in Siberia, from Lenine to Kroutchev, a polar geography is erected into the Gulag system. One does not escape from camps. After ten years of imprisonment, one dies. Some survived, some left traces; they witness: organisation, work and discipline, but also resistance, repression and revolt.