Bhagam Bhag

Babu works for three underworld dons and must go to prison to protect them. When his sentence is over, he returns home to find that Purnima (his wife), Arjun (his son) and Pooja (his daughter) live a destitute life. When he confronts his bosses, he is beheaded in front of his wife and children, and his daughter is abducted. Purnima (Raakhee) loses her mind, and is hospitalized in a mental hospital. Growing up, Arjun (Akshay Kumar) becomes a high profile vigilante. As for Purnima, she becomes terribly ill and can be saved only if she sees her daughter again. Thus, Arjun decides to re-unite his mother and sister. In order to do so, he must discover the identity of his father's killers.

Suraj Prakash is a politician in India representing the Lok Kalyan Party. He would like to address burning issues such as poverty if and when he is voted in power. He exposes a corrupt businessman named Kanwarlal by stopping his trucks carrying illicit goods, but instead loses several party workers when the driver runs over them. Kanwarlal is arrested, but there is no evidence because the file has been misplaced by Junior Public Prosecutor Sandhya. The police file a case against Sandhya, she is arrested and held in prison for a trial. Her bail is posted and she is released. She finds out that it was Kanwarlal who had bailed her out. Then her son gets kidnapped, and it is Kanwarlal who rescues him. She is indebted to Kanwarlal and starts working with him as his attorney. What Kanwarlal does not know is that Sandhya has a questionable past, a past that may well send him to the gallows, if not end his life.

An impossibly innocent villager named Ganga comes to the big city to find a girl who would agree to become his wife. The first girl he meets is actually a troubled prostitute named Champa whom he manages to rescue from the brothel she has been in for some time. He takes her home and in a most typical Hindi film style, announces her as his sister. Along with them lives a crippled middle-aged man. Ganga falls for a beautiful girl named Barkha, and her parents agree to have them married, but alas, Barkha's brother Rakesh identifies Champa and the marriage is cancelled as a result.

Remake of the Telugu film Pratighatana (1986). The film deals with politics-criminal nexus and a college lecturer who takes them on, even after she faces public disrobing.

A man's (Abhishek Bachchan) innocent gift to his grandfather sparks a power struggle in a village that recently received electricity.

Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

Naive and easily impressionable Vidya Bhalla would like her husband to be a dashing hero, one who is not afraid of anybody, one who can easily jump into a fire to rescue someone, one who is strong & romantic. She sees all of these qualities in Shiva Sathe (Jackie Shroff), the son of Havaldar Purshotam Sathe, whose only dream is to see Shiva become a Police Inspector. Vidya informs her dad, Prithviraj, that she has found her dream man, the Bhallas and the Sathes meet and get the couple formally engaged.

Bijli, an orphan, works on a farm and develops a close bond with her goat, Ramu. Her life changes when she falls in love with Vijay and gets married to him.

Kumar promises his dying wife, Suman, that he will take good care of their daughter, Priya. The father-daughter bond is put to the ultimate test after Priya decides to get married and move away.

Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.

Naresh Kumar Saxena lives with his widowed mom and sister, Seema. He works as a freelance photographer and journalist. One day he meets with Mala Mehta and her dad, who is the Editor of a Newspaper. Mr. Mehta hires Naresh and assigns him to go to a remote island to investigate and expose some illegal activities there. Naresh goes there in the company of his friend, Shyam. Unfortunately, Naresh is caught by the island guards and lodged in a cell along with two others, one a scientist and Ram Singh, a hoodlum. The scientist confides in Naresh that he has invented an atomic ring that when inserted in someone's mouth will turn that person invisible, and subsequently passes away. Naresh puts the ring in his mouth, takes off his clothes, turns invisible and escapes.

While Nooran, learns the ancient art of healing with music from her mother, Aadam a camel trader listens to her sing and falls in love with her and they marry. But soon, Nooran discovers treachery and must avenge herself and rediscover her lost song.

Phir Aayee Barsat

A turbulent newsroom drama that intimately chronicles the working days of broadcast journalist Ravish Kumar as he navigates a spiraling world of truth and disinformation.

Simrita, a doctor, performs her first surgery on Viraj, a man she hates. She soon realises that she accidentally left her watch inside his body and must do whatever it takes to save her career.

Govinda, an aspiring dancer, lives with his poor mother. In a turn of events, he is given a break to compete with Rocky, a famous dancer in the city.

The third part of the Jolly LLB trilogy brings back Jagdish Tyagi and Jagdishwar Mishra for the biggest face-off as penurious widow Janki Devi Solanki awaits justice against business tycoon Haribhai Khaitan in a satire on the judiciary, justice and the gulf between the privileged and the people on the other side of the spectrum.

Years after his father disowns his adopted brother for marrying a woman of lower social standing, a young man goes on a mission to reunite his family.

This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.