Parallel Love: The Story of a Band Called Luxury

The Shortest Way Home: C.S. Lewis & Mere Christianity is an introductory review to Lewis's classic work on issues of faith and reason. Viewers will find honest discussion and helpful insights for the tough questions asked by believers and skeptics alike.

Billy Graham was a man known worldwide for his southern charm, unmistakable voice and most importantly to him, his love and devotion to Jesus Christ. Lesser known, however, is his role as a statesman of the United States. Despite never holding public office, Graham comforted the nation in some of its darkest hours, spread its causes and principles to all corners of the globe, and counseled every president from Harry Truman to George W. Bush. This is the story of the unelected statesman.

ADRIFT- People of a Lesser God is the story of an incredible odyssey made by several-times Pulitzer Prize-nominated undercover reporter Dominique C. Mollard. In this gripping story, Mollard sails with 38 African migrants, among them a five-month-old baby, out of West Africa on a quest to reach the golden shores of Europe. All aboard are packed together like sardines in a leaky fishing canoe as they set off under full moon on their harrowing journey. ADRIFT-People of a Lesser God captures the struggle of these desperate migrants as they brave their way across the cold Atlantic, risking their lives in search for a better future. —Ziad H. Hamzeh

Frequently after talking to another artist, Todd Anderson-Kunert found himself thinking of another question he would have liked to have asked them, but didn’t. This film is about what happened if he did ask those questions. Between 2014 and 2017, in and around Melbourne, Australia, he conversed with a selection of 31 sonic artists, each time for 30 minutes. These conversations were edited down, each time finding a new question he wished he had of asked. This question was used as the starting point for the next conversation with a completely different artist. This documentary film follows that process. The conversation engages with a variety of themes, including temporality, performance, fragility, recording, artistic development, and creative process. It also offers an insight into some of the experimental sound communities operating within Melbourne, Australia.

The YES line-up of Jon Anderson, Chris Squire, Trevor Rabin, Alan White and Tony Kaye perform highlights from their 1985 tour - "Introduction," "Cinema," "Leave It," "Hold On," "I've Seen All Good People," "Changes," "Owner of a Lonely Heart," "It Can Happen," "City of Love," and "Starship Trooper" in a landmark concert.

A small town blanketed on the Midwest plains, Broken Arrow, Oklahoma has prospered despite dust bowls and oil busts that left many cities barren. Thriving on the town’s perseverance and pioneering spirit is the school’s marching band – The Pride of Broken Arrow. Despite their humble beginnings, the Broken Arrow band has become one of the nation’s dominating forces in the competitive world of marching band. This candid documentary reveals how these young musicians and their teachers come to understand the power of tradition, the depth of their character and the undeniable force of destiny that will push them towards the pinnacle of their season - Grand Nationals in Indianapolis, Indiana. The Pride of Broken Arrow is a refreshing and inspirational look into a quintessential American drama.

An intimate look into the life of composer Mikis Theodorakis from 1987 until 2017: comprising three decades, four continents, 100 locations and 600 hours of film material. The film interweaves personal moments with archive footage, documentary recordings and fictional pieces, all accompanied by Theodorakis’ music in jazz, classic, electro and rap versions.

Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat.

Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.

Can the Holy Spirit direct a movie? In this fast-paced documentary from the director of the popular films Finger of God, Furious Love, and Father of Lights, Darren Wilson sets out to make a movie that is completely led by the Holy Spirit. No plan, no script, no safety net--just go wherever he feels the Spirit leading him to try and discover the adventure God has for him. Whether it's the riches of Monte Carlo, a heavy metal concert, or the oldest city in the world, the result is a film that not only challenges and excites, but also reveals a God who is far more alive and active than you ever imagined.

Edvard Grieg

Funk Brazil

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

Grace Fisher was an active musician and dancer until a rare spine disease almost derailed her budding career. In this award winning documentary, we see grief transformed into gratitude and tragedy turned into opportunity.