You Don't Live Here Anymore

This was one of a series of concerts James Brown gave at the Apollo in Harlem in March 1968. This performance was broadcast on television as James Brown: Man To Man. In addition to 16 vintage color performances from the concert, this special also includes film of James Brown walking the streets of Harlem and Watts as he speaks to the state of Black America and describes the political and socioeconomic advances that need to be accomplished: “My flight is for Black American to become American.”—James Brown This concert is much a 1968 James Brown time capsule as it is a timeless representation of how music can change the world.

French musical created by Gérard Presgurvic and produced in 2001, at the Paris Convention Center. It is inspired by William Shakespeare's Romeo and Juliet.

after mourning the passing of his late wife, Bill finds the courage to travel to New York City and reconnect with his favorite mistress.

Justin Peck, the New York City Ballet's resident choreographer, created a series of dances for 2018's best actors. The scenarios put everyday characters in familiar situations: packed into a subway car, stuck in a doctor's office, caught in downpour. But once they start moving, the actors turn our common experiences into welcome moments of enchantment.

An amateur theatrical society rehearses in a deserted house which is believed to be haunted by two travelers who have lost their way in the rain.

"Let's Scuffle" is a short subject -- a single song-and-dance number -- that appears to have been cut from a feature-length movie: to be precise, a 'race film'. (This was the term used by American cinema exhibitors in the 1940s and earlier for any movie with an all-black cast, intended primarily for distribution in black neighbourhoods at a time when many American cinemas were segregated.) The song-and-dance performer here is none other than the great Bill Robinson.

Jane Frazee made her starring film debut in the Republic B-plus musical Melody and Moonlight. The plot is motivated by the show-biz aspirations of bellboy Danny O'Brien (Johnny Downs). With the help of a wealthy chiropodist (Jerry Colonna), O'Brien not only gets to star on a big-time radio show, but also sprinkles stardust upon his sweetheart Kay Barnett (Jane Frazee)-who, unbeknownst to everyone but the audience, is the daughter of the show's sponsor.

Chen Hou is a chauffeur who gets caught in a mistaken identity scandal linking him to businesswoman Lok Dai. Chen was supposed to audition for a job as her chauffeur, but a proposed musical show is far more attractive to the aspiring dancer. When a rumor gets out that the two are involved in an affair, she's angry and confronts him, but his charms overwhelm her, and it's revealed that she too desires to dance. Soon she's bankrolling the affair, the sets are being built, and the singing and dancing begin!

From The Top

Jonathan Reeves is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his top choreographers Charlie, Cooper and Tommy to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker, who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp.

Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

Ted Howard, a vaudevillian left, stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.

In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.

Cirque du Soleil presents VOLTA – an inspiring story about the freedom to choose and the thrill of blazing your own trail.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

An homage to NYC in the form of a short travelogue.

The San Francisco scene in 1967-68. Documentary about hippies shot during the height of the movement . Viewpoints from many kinds of people. Music by Steve Miller Band, Mother Earth, Quicksilver Messenger Service and others.

Rose Marie, aged five or six, sings three numbers, "Heigh Ho, Everybody, Heigh Ho", "Who Wouldn't Be Jealous of You", and "Don't Be Like That". She's animated throughout, acting as well as singing.