The story recounts the early life of Genghis Khan, a slave who went on to conquer half the world in the 11th century.
Chaos reigns at the natural history museum when night watchman Larry Daley accidentally stirs up an ancient curse, awakening Attila the Hun, an army of gladiators, a Tyrannosaurus rex and other exhibits.
The villainous Dr. Fu Manchu races against a team of Englishmen to find the tomb of Ghengis Khan, because he wants to use the relics to cause an uprising in the East to wipe out the white race.
Mongol chief Temujin battles against Tartar armies and for the love of the Tartar princess Bortai. Temujin becomes the emperor Genghis Khan.
In the 1200s, a man arose whose ruthlessness was so feared, he emerged as the greatest empire builder ever known to mankind. Inspired by true historical events.
TV-recording of the famous Swedish comedy play Djingis Khan, first performed in 1954.
The town's best horse race trainer Bold, has many people gathered at his house for a special announcement. Bold begins to brag about his horses and skills and how no one in town is better than him. Bold begins to talk about his most prized horse, the brown steed that still has yet to find its rider. After hearing this the townspeople recommend Dambii's eldest son Dorj to be the rider. Upon hearing this Boldoo decides to ask Dambii's son Dorj to be the rider for his horse. Dambii lives with his wife, Dolgor and three sons, Dorj (12 yrs old), Byambaa (8 yrs old) Nanzaa (4 yrs old) in the vast countryside in Mongolia. All of Dambii's sons have a knack for the horse. When Bold recruites Dambii's eldest son his middle son Byambaa gets angry that he wasn't chosen to ride. When Byambaa gets angry that he wasn't chosen he storms off.
A samurai warrior attempts to stop Kublai Khan's Mongol hordes from overrunning Japan in the 13th century.
A little known fact is that Chinggis Khaan, better known as Genghis Khan, would collect orphans from his bloody battlefields and have his own mother raise them. These adopted brothers grew up to become his most loyal officials and advisers. Khaan organised his Mongol soldiers into groups according to the decimal system. Soldiers were arranged in units of 10 ("aravt"), 100 ("zuut"), 1,000 ("minghan") and 10,000 ("tumen"). Each unit had an appointed leader reporting to a larger unit. A 10-person "aravt" unit is ordered by Khaan to locate a skilled doctor who lives in a forest. En route, they discover an abandoned baby. He is in fact the child of an enemy warrior who gives pursuit, even though they have saved the child's life. Whilst protecting the child from attacks from enemy soldiers, the members of the "aravt" must also complete their mission. Through their actions, they demonstrate the benevolence and bravery of Mongol warriors as the final battle closes in.
The nefarious Dr. Fu Manchu searches for the keys to the tomb of Genghis Khan, in order to fulfill a prophecy that will enable him to conquer the world. His nemesi, Dr. Nayland Smith and his associates fight to keep the evil doctor from getting his hands on the keys. In 1943 the serial was edited together into a feature movie also called Drums of Fu Manchu.
Temujin, who later became Genghis Khan is wise, or sometimes cunning. He goes through several heroic episodes; competing at the Man of Men contest, falling in love with the enemy commander's daughter, and struggling to restore his demolished hometown. Meanwhile his steps guide him to be a great conqueror. Khan's witty, humorous side in his adolescent years before he takes the throne.
A young man becomes incredibly distressed after learning that his lifelong crush is romantically involved with someone else.
Animated in an authentic graphic style with period music, the film tells the story of the first hunt of Genghis Khan as a small boy named Temujin. Directed by Miagmar Sodnompilin (Mongolia). Produced for Italtoons by David Ehrlich (USA).
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Umschulung
Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.