Yello - Live in Berlin

Jennifer Rostock: Bleibt

A music film featuring Sweden's foremost electropop pioneers, Page. Facts for all Gothenburg was recorded at the classic Sticky Fingers in the spring of 2020, just before the Covid-19 crisis shut down concert activities in Europe indefinitely.

For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.

The poet Eirik Havnes performs a self-written poem as 50 filmmakers, dancers, extras and musicians are in action. Livet av Havnes is a hybrid between poetry, theater and concert. A live existential journey through Oslo's streets over the course of 45 minutes on 12 September 2020 between 19:02 and 19:47.

Bob Dylan "Odds and Ends" is composed of archival interviews, promotional videos and documentary shorts. It tells the story of some of the most important moments in the legendary artist's career.

Performances by Poland's most acclaimed jazz bands, punctuated by short interviews conducted by German music journalist Joachim-Ernst Berendt. Appearing consecutively are: Warsaw Stompers, Namysłowski Quartet, Andrzej Trzaskowski Quintet, Krzysztof Komeda Quintet, Bossa Nova Combo and Wróblewski Quartet. The concerts are crowned by the All Star Session, a joint finale with all the performers and the song Family Blues.

André Rieu and his Johann Strauss orchestra - Live in Constitution Square, Bucharest. Special guest: Gheorghe Zamfir.

In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world. Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. (Storyville)

Anthony Dean Griffey creates a haunting portrait of the outcast fisherman who struggles under the burden of presumed guilt. This chilling production by Tony Award-winning director John Doyle also features the superb Patricia Racette as the sympathetic Ellen Orford and the Met chorus in a truly hair-raising performance as the oppressively judgmental fishing village.

Chorus girl Patsy Shaw crashes a high-society party, meets playboy Charlie Breen, they fall in love, and are on their merry way to wedded bliss. However, Charlie's snobbish, ever-loving mama doesn't think that Patsy is worthy and sets out to prove it.

The album–which features an exceptional cast of collaborators including Caroline Polachek, Clairo, PinkPantheress, Oklou, MNEK, Julia Michaels, and newer voices such as kacha–will be paired with a film that voyages into Cerulean’s vast sonic landscapes.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

The Ballad of Clem Snide is a documentary film about the band Clem Snide. The film chronicles the pursuit of an artistic life; and all the trials, the tribulations, the ups and downs, the luck and serendipity, the disappointments and frustrations that come along with it. Clem Snide’s story embodies a “lower-case-s” spirituality in a universal way. The film documents the touring and promotion of the album Forever Just Beyond. Released on March 29, 2020, the record’s unveiling occurred at the precise moment of the first COVID-19 outbreak across the country. Forever Just Beyond was produced by Scott Avett of The Avett Brothers, who features in the film.

Courtney Barnett performs live for Triple J's 50th Tour. Recorded on 15th November 2025, on the lands of the Nipaluna people of the Lutruwita Nation at the Odeon in Hobart.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

The band "Death Cat" goes to war with Corporate Clause, Evil Martians and Elf Robots after Grandma has been murdered. The band exposes the origins of Christmas as they fight to save real Santa from Krampus.

An advertising company owner gets involved in successive crises due to the weakness of his team, while Naima, a new actress who has fled her addicted stepfather, tries to save the company and fix the situation.

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.

Egyptian short movie

Flashy shows, synthetic pastel worlds and androgynous faces: so-called K-pop, a form of Korean pop music, is taking the charts and stock markets by storm all over the world. But where does this fascination with this music come from? The documentary explores the social context behind this phenomenon.